They clinched, and swayed back and forth, growling
continually, while the orchestra played this trembly
Eliza-crossing-the-ice music. Jim, I'm not swelling this a bit.
On the level, it happened just as I write it. All of a sudden
some one seemed to win. They broke away, and ran wildly to the
front of the stage with their arms outstretched, yelling to beat
three of a kind. The band cut loose something fierce. The leader
tore out about $9.00 worth of hair, and acted generally as though
he had bats in his belfry. I thought sure the place would be
pinched. It reminded me of Thirsty Thornton's dance-hall out in
Merrill, Wisconsin, when the Silent Swede used to start a general
survival of the fittest every time Mamie the Mink danced twice
in succession with the young fellow from Albany, whose father
owned the big mill up Rough River. Of course, this audience was
perfectly orderly, and showed no intention whatever of cutting in,
and there were no chairs or glasses in the air, but I am forced to
admit that the opera had Thornton's faded for noise. I asked Bud
what the trouble was, and he answered that I could search him.
The audience apparently went wild. Everybody said "Simply sublime!"
"Isn't it grand?" "Perfectly superb!" "Bravo!" etc., not because
they really enjoyed it, but merely because they thought it was the
proper thing to do. After that for three solid hours Rough House
Mike and Shifty Sadie seemed to be apologizing to the audience
for their disgraceful street brawl, which was honestly the only
good thing in the show. Along about twelve o'clock I thought I
would talk over old times with Bud, but when I turned his way I
found my tried and trusty comrade "Asleep at the Switch."
At the finish the woman next to me, who seemed to be on, said that
the main lady was dying. After it was too late, Mike seemed kind
of sorry. He must have given her the knife, or the drops, because
there wasn't a minute that he could look in on her according to the
rules. He laid her out on the bum rock, they set off a lot of red
fire for some unknown reason, and the curtain dropped at 12:25.
Never again for my money. Far be it from me knocking, but any time
I want noise I'll take to a boiler shop or a Union Station where
I can understand what's coming off. I'm for a good mother show.
Do you remember "The White Slave," Jim? Well, that's me. Wasn't
it immense where the main lady spurned the leering villain's gold,
and exclaimed with flashing eye, "Rags are royal raiment, when
worn for virtue's sake." Great!
"The White Slave" has "Die Walkure" beaten to a pulp, and they
don't get to you for three cases gate money, either.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account