In the spring of 1796, when I had but little passed the verge of
manhood, I published a small volume of juvenile poems. They were
received with a degree of favour, which, young as I was, I well know
was bestowed on them not so much for any positive merit, as because they
were considered buds of hope, and promises of better works to come. The
critics of that day, the most flattering, equally with the severest,
concurred in objecting to them obscurity, a general turgidness of
diction, and a profusion of new coined double epithets [1]. The first
is the fault which a writer is the least able to detect in his own
compositions: and my mind was not then sufficiently disciplined to
receive the authority of others, as a substitute for my own conviction.
Satisfied that the thoughts, such as they were, could not have been
expressed otherwise, or at least more perspicuously, I forgot to
inquire, whether the thoughts themselves did not demand a degree of
attention unsuitable to the nature and objects of poetry. This remark
however applies chiefly, though not exclusively, to the Religious
Musings. The remainder of the charge I admitted to its full extent,
and not without sincere acknowledgments both to my private and public
censors for their friendly admonitions. In the after editions, I pruned
the double epithets with no sparing hand, and used my best efforts to
tame the swell and glitter both of thought and diction; though in truth,
these parasite plants of youthful poetry had insinuated themselves into
my longer poems with such intricacy of union, that I was often obliged
to omit disentangling the weed, from the fear of snapping the flower.
From that period to the date of the present work I have published
nothing, with my name, which could by any possibility have come before
the board of anonymous criticism. Even the three or four poems, printed
with the works of a friend [2], as far as they were censured at all,
were charged with the same or similar defects, (though I am persuaded
not with equal justice),--with an excess of ornament, in addition to
strained and elaborate diction. I must be permitted to add, that,
even at the early period of my juvenile poems, I saw and admitted the
superiority of an austerer and more natural style, with an insight not
less clear, than I at present possess. My judgment was stronger than
were my powers of realizing its dictates; and the faults of my language,
though indeed partly owing to a wrong choice of subjects, and the desire
of giving a poetic colouring to abstract and metaphysical truths,
in which a new world then seemed to open upon me, did yet, in part
likewise, originate in unfeigned diffidence of my own comparative
talent.--During several years of my youth and early manhood, I
reverenced those who had re-introduced the manly simplicity of the
Greek, and of our own elder poets, with such enthusiasm as made the hope
seem presumptuous of writing successfully in the same style. Perhaps
Public-domain text, read in full here on John Shaqi.
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