Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.Fétis, François-Joseph
History
Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.
Fétis, François-Joseph
Paganini, Nicolò, 1782-1840; Violin -- History
Produced by Adrian Mastronardi, Charlie Howard, and the
Online Distributed Proofreading Team at http://www.pgdp.net
(This file was produced from images generously made
available by The Internet Archive/American Libraries.)
[Illustration: Paganini]
BIOGRAPHICAL NOTICE
OF
NICOLO PAGANINI,
WITH AN
Analysis of his Compositions,
AND A SKETCH OF
THE HISTORY OF THE VIOLIN.
BY
F. J. FÉTIS.
_SECOND EDITION._
WITH PORTRAIT AND WOOD ENGRAVINGS.
LONDON:
SCHOTT & CO., 159, Regent Street, W.
Paris:
MAISON SCHOTT.
Bruxelles:
SCHOTT FRÈRES.
Mayence:
B. SCHOTT’S SÖHNE
Frankfort-o-M.:
SCHOTT & CO.
Index.
PAGE
SKETCH OF THE HISTORY OF THE VIOLIN 1
ART AND ARTISTS 15
NICOLO PAGANINI 26
PAGANINI APPRECIATED AS A COMPOSER. ANALYSIS OF HIS WORKS 79
Illustrations.
PORTRAIT OF PAGANINI, AFTER POMMAYRAC, 1838.
ENGRAVINGS FROM PHOTOGRAPHS OF PAGANINI’S VIOLIN IN THE MUNICIPAL
PALACE AT GENOA. (_From_ “THE VIOLIN: ITS FAMOUS MAKERS AND
THEIR IMITATORS,” _by kind permission of_ MR. G. HART.)
[Illustration]
SKETCH OF THE HISTORY OF THE VIOLIN.
The Instrument.
Despite all contrary assertions, based upon pretended monuments,
Oriental, Greek, and Roman antiquity was unacquainted with instruments
played with a bow. Neither India nor Egypt furnish the least traces of
them; nor do Greece and Italy; nor, in fact, does the whole of the old
civilized world. As I stated in the “Résumé Philosophique de l’Histoire
de la Musique,” the bow comes from the West; it was introduced into
the whole of Europe by the western nations. Though Viols are found
among the modern Arabs in Persia and Turkey, they were taken there
by Europeans in the time of the Crusades. The Goudock of the Russian
peasant, and the Crwth of the ancient Irish, appear to proceed from the
highest antiquity, and to have been the type of instruments of this
nature. The Irish chroniclers speak of musicians who, in the sixth
century, were celebrated for their talent on the Crwth, a species of
Viol with six strings; and Venance Fortunat, a Latin poet who wrote in
609, states distinctly that this instrument belonged to Great Britain.
Public-domain text, read in full here on John Shaqi.
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