Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.Fétis, François-Joseph
History
Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.
Fétis, François-Joseph
Paganini, Nicolò, 1782-1840; Violin -- History
sinking of the features, a certain token of approaching death, was
visible in his face. An Italian writer has furnished us with a most
touching description of his last moments in the following terms:--
“On the last night of his existence, he appeared unusually tranquil. He
had slept a little; when he awoke, he requested that the curtains of
his bed should be drawn aside to contemplate the moon, which, at its
full, was advancing calmly in the immensity of the pure heavens. While
steadily gazing at this luminous orb, he again became drowsy, but the
murmuring of the neighbouring trees awakened in his breast that sweet
agitation which is the reality of the beautiful. At this solemn hour,
he seemed desirous to return to Nature all the soft sensations which he
was then possessed of; stretching forth his hands towards his enchanted
Violin--to the faithful companion of his travels--to the magician which
had robbed care of its stings--he sent to heaven, with its last sounds,
the last sigh of a life which had been all melody.”
The great artist expired the 27th of May, 1840, at the age of 56,
leaving to his only son, Achille--the fruit of his liaison with the
cantatrice, Antonia Bianchi, of Como--an immense fortune, and the
title of Baron, which had been conceded to him in Germany. All had
not ended with the man whose life was as extraordinary as his talent.
Whether from the effect of certain popular rumours, of which mention
will be made hereafter, or whether, from the fact of Paganini having
died without receiving the last rites of the Church, he had left doubts
as to his religion, his remains were refused interment in consecrated
ground by the Bishop of Nice, Monsignor Antonio Galvano. Vainly did
his son, his friends, and most of the artists of the city, solicit
permission to celebrate a solemn service for his eternal rest, on the
plea that, as in all cases of phthisis, the sufferer never believed
his end was approaching, but had died suddenly; the Bishop remained
inexorable, but proffered an authentic act of decease, with permission
to remove the body wheresoever they pleased. This was not accepted,
and the matter was brought before the tribunals. At Nice, a verdict
was returned in favour of the Bishop. Recourse was then had to Rome,
which remitted the Bishop’s decision, and charged the Bishop of Turin,
conjointly with two Canons of the Cathedral of Genoa, to institute an
inquiry with reference to the catholicity of Paganini. All this time
the body was lying in one of the rooms of the hospital at Nice; it was
afterwards removed by sea from the lazaretto of Villa Franca, near the
city, to a country spot named Polcevera, near Genoa, which belonged to
the family of the illustrious artist. It was rumoured that piteous and
extraordinary tones were heard there at night. To end these popular
reports, the young Baron Paganini resolved on defraying the expense
of a solemn service to the memory of his father, as Chevalier de St.
Public-domain text, read in full here on John Shaqi.
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