Biographical Sketches: (From: "Fanshawe and Other Pieces")Hawthorne, Nathaniel
History
Biographical Sketches: (From: "Fanshawe and Other Pieces")
Hawthorne, Nathaniel
New England -- Biography
Notwithstanding a wide difference of age, and many more points of
dissimilarity than of resemblance, Mr. Fessenden and myself soon became
friends. His partiality seemed not to be the result of any nice
discrimination of my good and evil qualities (for he had no acuteness in
that way), but to be given instinctively, like the affection of a child.
On my part, I loved the old man because his heart was as transparent as
a fountain; and I could see nothing in it but integrity and purity, and
simple faith in his fellow-men, and good-will towards all the world.
His character was so open, that I did not need to correct my original
conception of it. He never seemed to me like a new acquaintance, but as
one with whom I had been familiar from my infancy. Yet he was a rare
man, such as few meet with in the course of a lifetime. It is
remarkable, that, with such kindly affections, Mr. Fessenden was so
deeply absorbed in thought and study as scarcely to allow himself time
for domestic and social enjoyment. During the winter when I first knew
him, his mental drudgery was almost continual. Besides "_The New
England Farmer_," lie had the editorial charge of two other
journals,--"_The Horticultural Register_," and "_The Silk Manual_"; in
addition to which employment, he was a member of the State legislature,
and took some share in the debates. The new matter of "Terrible
Tractoration" likewise cost him intense thought. Sometimes I used to meet
him in the street, making his way onward apparently by a sort of instinct;
while his eyes took note of nothing, and would, perhaps, pass over my face
without sign of recognition. He confessed to me that he was apt to go
astray when intent on rhyme. With so much to abstract him from outward
life, he could hardly be said to live in the world that was bustling
around him. Almost the only relaxation that he allowed himself was an
occasional performance on a bass-viol which stood in the corner of his
study, and from which he loved to elicit some old-fashioned tune of
soothing potency. At meal-times, however, dragged down and harassed as
his spirits were, he brightened up, and generally gladdened the whole
table with a flash of Dr. Caustic's honor.
Public-domain text, read in full here on John Shaqi.
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