Biology and Its Makers: With Portraits and Other IllustrationsLocy, William A. (William Albert)
History
Biology and Its Makers: With Portraits and Other Illustrations
Locy, William A. (William Albert)
Biology -- History
(Photographed and reduced from the facsimile edition of 1728.)]
Fig. 5 will give an idea on a small scale of one of the plates
illustrating the work of Vesalius. The plates in the original are of
folio size, and represent a colossal figure in the foreground, with a
background showing between the limbs and at the sides of the figure.
There is considerable variety as regards the background, no two plates
being alike.
Also, in delineating the skeleton, the artist has given to it an
artistic pose, as is shown in Fig. 6, but nevertheless the bones
are well drawn. No plates of equal merit had appeared before these;
in fact, they are the earliest generally known drawings in anatomy,
although woodcuts representing anatomical figures were published as
early as 1491 by John Ketham. Ketham's figures showed only externals
and preparations for opening the body, but rude woodcuts representing
internal anatomy and the human skeleton had been published notably by
Magnus Hundt, 1501; Phrysen, 1518; and Berengarius, 1521 and 1523.
Leonardo da Vinci and other artists had also executed anatomical
drawings before the time of Vesalius.
Previous to the publication of the complete work, Vesalius, in 1538,
had published six tables of anatomy, and, in 1555, he brought out a
new edition of the _Fabrica_, with slight additions, especially in
reference to physiology, which will be adverted to in the chapter on
Harvey.
[Illustration: Fig. 6.--The Skeleton, from Vesalius's _Fabrica_.]
In the original edition of 1543 the illustrations are not collected in
the form of plates, but are distributed through the text, the larger
ones making full-page (folio) illustrations. In this edition also
the chapters are introduced with an initial letter showing curious
anatomical figures in miniature, some of which are shown in Fig. 7.
[Illustration: Fig. 7.--Initial letters from Vesalius's _Fabrica_ of
1543.]
The _Fabrica_ of Vesalius was a piece of careful, honest work, the
moral influence of which must not be overlooked. At any moment in
the world's history, work marked by sincerity exercises a wholesome
influence, but at this particular stage of intellectual development
such work was an innovation, and its significance for progress was
wider and deeper than it might have been under different circumstances.
Opposition to Vesalius.--The beneficent results of his efforts were to
unfold afterward, since, at the time, his utterances were vigorously
opposed from all sides. Not only did the ecclesiastics contend that he
was disseminating false and harmful doctrine, but the medical men from
whom he might have expected sympathy and support violently opposed his
teachings.
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