"Indeed I sha'n't! Nonsense; it's a beautiful name! Rupert Denison! It
suits him; it suits me. Bertha, you can't deny it's a handsome, noble
face, like a Vandyke portrait of Charles I, or one of those people in
the National Gallery. And he must take a certain amount of interest in
me, because he wants me to learn more, to be more cultured. He's so
accomplished! He knows simply everything. The other day he sent me a
book about the early Italian masters."
"Did he, though? How jolly!"
"A little volume of Browning, too--that tiny edition, beautifully
bound."
Bertha made an inarticulate sound.
"And you know he found out my birthday, and sent me a few dark red roses
and Ruskin's Stones of Venice."
"Nothing like being up to date," said Bertha. "Right up to the day after
to-morrow! Rupert always is. How did he find out your birthday?"
"How do you suppose?"
"I can't think. By looking in _Who's Who?_--going to Somerset House or
the British Museum?"
"How unkind you are! Of course not. No--I told him."
"Ah, I thought perhaps it was some ingenious plan like that. I should
think that's the way he usually finds out things--by being told."
"Bertha, why do you sneer at him?"
"Did I?--I didn't mean to. Why does he behave like a belated
schoolmaster?"
"Behave like a--oh, Bertha!"
Madeline was trying to be offended, but she could not succeed. It was
nearly impossible to be angry with Bertha, when she was present. There
were many reasons for this. Bertha had a small arched mouth, teeth that
were tiny and white and marvellously regular, a dimple in her left
cheek, long eyelashes that gave a veiled look to the eyes, and a
generally very live-wax-dollish appearance which was exceedingly
disarming. There was a touch, too, of the china shepherdess about her.
But, of course, she was not really like a doll, nor remote from life;
she was very real, living and animated; though she had for the
connoisseur all the charm of an exquisite _bibelot_ that is not for
sale.
* * * * *
Public-domain text, read in full here on John Shaqi.
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