it--his rules of life were too general. And his love for Bertha--what
word can one use but the word-of-all-work, love, which means so many
variations and shades, and complications of passion, sentiment, vanity
and attraction?--his love had greatly increased, was growing stronger:
sometimes he wondered whether it was the mere contradictory, defiant
obstinacy of the discouraged admirer; and, certainly, there was in his
devotion a strong infusion of a longing to score off his tyrannising
wife and the fortunate, amiable Percy. Nigel's jealousy of Percy--and
not of Percy only, but in a less degree of most men Bertha knew--was not
very far behind his wife's jealousy of him. A morbid propensity that
causes great suffering in domestic life is often curiously infectious to
the very person for whom it creates most suffering. Nigel sometimes
found himself positively imitating Mary in many little ways; watching,
and listening and asking indirect questions to find things out: if he
had dared he would have made Bertha a violent scene every time her
husband came into the house! He tried to hide it and had made Percy like
him. But Bertha could see perfectly well the tinge of jealousy for every
other friend of hers, and an inclination to crab and run down and sit
out, especially, any smart young man. This neither amused nor annoyed
her. She did not think about it.
Nigel really felt, besides, that most cruel of all remorse--_selfish_
remorse, that he had cheated himself in having thrown over love for
money. For his was not, after all, a mere smug, second-rate nature which
gold, and what it meant, in however great quantities, could really ever
satisfy. Putting aside the fact that his wife irritated him nearly to
madness, even if he had been allowed to live alone, and perfectly
free,--wealth and its gratifications would never have made him happy.
He had mistaken himself in a passing fit of despair and cupidity, aided
by the torturing agonies of being deeply in debt all round, and the
ghastly fear of a social smash.
He had a longing to feel at ease; he had a love of pleasure, too, of
freedom, of idleness; and the sort of talent that consists in
brilliantly describing what one could do and what one would like to do:
in sketching schemes, verbally--literary, financial, artistic, no matter
what--with so much charm, such aplomb that everyone believed in him, and
enjoyed to hear his projects, but he had not either the genius that
compels its owner to work nor the steadiness, the determination of
character that makes a man a successful drudge, who gets there in the
end.
Public-domain text, read in full here on John Shaqi.
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