Bird's nest, a fantasy in one actMygatt, Tracy D. (Tracy Dickinson)
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Bird's nest, a fantasy in one act
Mygatt, Tracy D. (Tracy Dickinson)
American drama -- 20th century; One-act plays
RICHARD.
[_Drawing her passionately into his arms._] Oh, my darling! But we
_must_ come back! It is what we _live_ for! It----
LYDIA.
[_Gravely._] Just so, Richard! I know you always agree when
you--remember----!
RICHARD.
[_Regarding her with sudden anxiety._] Do you think you can manage it?
The lady isn’t here--this time.
LYDIA.
But he’s here! And do you know, Richard, in spite of what Mamma has
always taught me, I hardly think men are a bit braver than women!
RICHARD.
Oh, Lydia, you really think not!
LYDIA.
[_Teasing him._] Really, really, dear Richard! But, oh, look at that
moon! Isn’t it a shame to worry about anything with that over our
heads? Oh, Richard, I want to dance. If there were only music!
RICHARD.
[_Falling into her mood._] Why not make it yourself? The spinnet is
there--[_Pointing within._] your papa’s wedding present--he thought you
would like it the first night! Look, Lydia, how clear it stands in the
moonlight!
LYDIA.
[_Running into the house._] I could play the minuet! [_Seating herself
at the spinnet, she plays a few bars of a minuet with delicate,
old-fashioned precision_, RICHARD, _who has followed her, leaning over
her. Presently, she stops, and wheels abruptly about._] But, oh, that
isn’t enough! [_Jumping up, she drags him after her to the garden._]
Come, Richard! Back to the garden! I want to dance!
RICHARD.
[_As they pass outdoors._] But the music, dearest Lydia! I can never do
the steps without the music! Don’t you remember how you laughed at me
that time last week?
[_Without answering_, LYDIA _places both herself and him in
position for the minuet. Then, with low conviction._
LYDIA.
There will be music, dear Richard! Don’t you remember--it used to
go---- [_Humming the minuet under her breath._] this way----? [_And
presently, as if encouraged by her voice, the garden becomes full
of throbbing fiddles and horns, as, with stately courtesy, she and_
RICHARD _dance in and out among the flower-beds. A few moments pass;
then, at a sound within the cottage, they stop dancing, and as_ GEORGE
SANFORD, _this time in dressing-gown and slippers, slowly descends the
staircase, the music quivers away, though still heard now and again, as
at greater distance._ LYDIA _softly draws_ RICHARD _aside_.] Sh--this
must be he!
RICHARD.
[_In a slightly nervous whisper._] After all, Lydia, this is my house!
Had I not better call him out and have done with it?
LYDIA.
[_Watching Sanford._] Sh----!
Public-domain text, read in full here on John Shaqi.
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