Bird's nest, a fantasy in one actMygatt, Tracy D. (Tracy Dickinson)
Science
Bird's nest, a fantasy in one act
Mygatt, Tracy D. (Tracy Dickinson)
American drama -- 20th century; One-act plays
The story? Dear, no! A ghost-story, Martin--think of that! Brrr-rrr!
[_With a mock shiver, lowering his voice in coarse joviality._]
Spooks--haunted! Nobody but me’s had the nerve to think of living
here for fifty years and more! Afraid the visitors mightn’t approve.
Visitors--ha-ha! Bear in mind, Martin--Bird’s Nest was built for
lovers. [_As_ SANFORD _begins to laugh again_, MARTIN _regards him with
a curious look. He is still laughing when the grandfather clock in
the parlor begins to strike midnight_. SANFORD, _himself again, starts
violently, takes a step toward_ MARTIN, _then, as if rooted to the
spot, stands listening. The face of_ MARTIN, _too, has changed. Pallor,
first, then, as the clock strikes on, light, reflected as from some
deep centre within, covers his face. He casts one anxious glance at his
master; then, as if surrendering himself to his profound absorption, he
softly crosses to the porch and peers out._ SANFORD, _as the strokes go
on_.] Whatever made you wind up that damned old clock, Martin?
MARTIN.
[_At the door._] I didn’t wind it!
SANFORD.
You must have! It hasn’t struck since I took the cottage!
MARTIN.
[_Turning and regarding him significantly._] But it is striking, sir,
isn’t it? Striking midnight?
SANFORD.
[_Abruptly._] So you have heard the story?
[_Without looking at him_, MARTIN _steps further into the
garden where white moonlight now floods gravel-path and steps.
Then, a note of repressed triumph in his voice._
MARTIN.
Yes, sir----! Ten--eleven--twelve----! [_Then to himself, on a low note
of joy._] Ah----!
SANFORD.
Built for lovers----! Well, why not? Why not? Ain’t love the strongest
thing in the world?--Stronger than death?
Public-domain text, read in full here on John Shaqi.
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