Perhaps he did it to show off. I do not know. Certainly he had as good a
right to be proud of his accomplishments as a turkey or a peacock that
spreads its tail, or a boy who walks on his hands. Maybe a better right,
for they have solid earth to strut upon and run no risks, while Mis did
his whole trick in the air. It was a kind of acrobatic feat, though he
had no gymnasium with bars or rings or tight rope, and there was no
canvas stretched to catch him if he fell. A circus, with tents, and a
gate-keeper to take your ticket, would have been lucky if it could have
hired Mis to show his skill for money.
But Mis couldn't be hired. Not he! He was a free, wild clown, performing
only under Mother Nature's tent of wide-arched sky. If you wanted to see
him, you could--ticket or no ticket. That was nothing to him; for Mis,
the wild clown of the air, had no thought either of money or fame among
people.
Far, far up, he flew, hither and yon, in a matter-of-fact-enough way;
and then of a sudden, with wings half-closed, he dropped toward the
earth. Could he stop such speed, or must he strike and kill himself in
his fall? Down, down he plunged; and then, at last, he made a sound as
if he groaned a loud, deep "boom."
[Illustration: _The Flying Clown._]
But just at the moment of this sound he was turning, and then, the first
anyone knew, he was flying up gayly, quite gayly. Then it wasn't a groan
of fear? Mis afraid! Why the rascal had but to move his wings this way
and that, and go up instead of down. He might be within a second of
dashing himself to death against the ground, but so sure were his wings
and so strong his muscles, that a second was time and to spare for him
to stop and turn and rise again toward the safe height from which he
dived. A fine trick that! The fun of the plunge, and then the quick jerk
at the end that sent the wind groaning against and between the feathers
of his wings, with a "boom" loud and sudden enough to startle anyone
within hearing.
Yes, you might have seen the little clown at his tricks without a ticket
at the wild-circus gate, for all he cared or knew. What did the children
of men matter to him? Had not his fathers and grandfathers and
great-grandfathers given high-air circus performances of a springtime,
in the days when bison and passenger pigeons inherited their full share
of the earth, before our fathers and grandfathers and great-grandfathers
had even seen America?
Was it, then, just for the joy of the season that he played in the air,
or was there, after all, someone besides himself to be pleased with the
sport? Who knows whether the little acrobat was showing his mate what a
splendid fellow he was, how strong of wing and skillful in the tricks of
flight? Be that as it may, the mate of Mis was satisfied in some way or
other, and went with him on a voyage of discovery one afternoon, when
the sky was nicely cloudy and the light pleasantly dull.
Public-domain text, read in full here on John Shaqi.
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