Bird studies with a camera : $b with introductory chapters on the outfit and methods of the bird photographerChapman, Frank M. (Frank Michler)
Science
Bird studies with a camera : $b with introductory chapters on the outfit and methods of the bird photographer
Chapman, Frank M. (Frank Michler)
Birds -- United States; Photography of birds
As a means of making the exposure as soon as possible after the Owl
appeared, I have on a number of occasions placed my camera in position,
focused and otherwise made ready some minutes before he was expected,
and I recall with amusement the incredulity of a friend whose surprise
at seeing me point my camera skyward without ostensible purpose was in
no way lessened when I told him that I had an appointment with an Owl,
who was to take his stand shortly in the hole toward which the camera
was directed; and fortunately the bird was on time!
From the perch, some forty feet aloft, the grave little creature surveys
the scene below with an expression of combined wisdom and thoughtfulness
which makes a laugh seem wanton foolishness. At the border of dusk and
dark he flies out to feed, often descending to the ground and remaining
there for some moments while catching insects. Occasionally he takes his
prey from the tree trunks, perhaps a cicada struggling from its shell,
and on several occasions I have thought he captured food on the wing.
Sometimes the supper hunt leads him to the edge of the croquet lawn,
where from the earth or the back of a garden bench he becomes an
interested spectator of the last game. When the young appear, later in
the month, the evergreens seem alive with Owls, who flit about and utter
querulous little calls difficult of description. Toward the end of July,
doubtless after the molt is completed, presumably the adults—for never
more than two are heard—begin to sing; and this habit of post-nuptial
singing seems not to be confined to the Screech Owl, for about this time
the deep-toned, resounding notes of the Barred Owl come up from the
woods. Throughout August and September the wailing whistle, which is
ever welcome for its spirit of wildness, is heard nightly, and as the
plaintive notes tremble on the hushed air we invariably say, “Hark,
there’s the Owl!”
My experience as bird photographer about home, I must admit, has
consisted chiefly in a series of encouraging failures which have borne
no tangible results. Let us hope, however, that the few pictures here
presented will prove as suggestive to the reader as they are to their
maker, who, although he offers such inadequate proof in support of his
belief, is far too well convinced of the possibilities of home
photography to go afield without saying at least a word in its behalf.
THE CHICKADEE
_A Study in Black and White_
Very early in my experience as a hunter I became acquainted with a small
black-and-white bird, who not only announced himself with unmistakable
distinctness, but did so at such close range that one could form a very
clear idea of his appearance; and thus because of his notes and
trustfulness I learned to know the Chickadee by name years before I was
aware that the woods were tenanted by dozens of other more common but
less fearless birds.
Public-domain text, read in full here on John Shaqi.
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