Bird studies with a camera : $b with introductory chapters on the outfit and methods of the bird photographerChapman, Frank M. (Frank Michler)
Science
Bird studies with a camera : $b with introductory chapters on the outfit and methods of the bird photographer
Chapman, Frank M. (Frank Michler)
Birds -- United States; Photography of birds
I at once confess a failure to restore anything like the condition in
which they were found, and when the front of their dwelling was
replaced, Chickadees were overflowing at the door. If their
healthfulness had not belied the thought, I should have supposed it
impossible for them to exist in such close quarters.
A few days later their home was deserted, and, as no other Chickadees
were known to nest in the vicinity, I imagine them to compose a troop of
birds which is sometimes found in the neighborhood.
THE LEAST BITTERN AND SOME OTHER REED INHABITANTS
My experience with the Least Bittern leaves the eerie little creature a
half-solved mystery, and I think of it less as a bird than as a survivor
of a former geological period, when birds still showed traits of their
not distant reptilian ancestors.
The Bittern’s home is in fresh-water, cat-tail marshes, and he wanders
at will through the thickly set forest of reeds without of necessity
putting foot to the water below or flapping wing in the air above. His
peculiar mode of progression constitutes one of his chief
characteristics. The reeds in which he lives generally grow in several
feet of water, far too deep, therefore, to permit of his wading; while
his secretive disposition makes him averse to appearing in the open,
except after nightfall. It is impossible to fly through the cat-tails,
and so the bird walks and even runs through them, stepping from stem to
stem with surprising agility. I had heard of this habit, but the
description conveyed as little idea of the bird’s appearance as it is
feared this one will, and when for the first time a Least Bittern was
seen striding off through the reeds about three feet above the water,
the performance was so entirely unlike anything I had ever seen a bird
do before, I marveled that his acrobatic powers had not made him famous.
The feathered gymnast’s slender body—or perhaps one should say neck, for
the bird is chiefly neck and head—seemed to be mounted on long stilts,
with the aid of which he waded rapidly through the water, his head
shooting in and out at each stride.
The Least Bittern’s notes appear to be less known than his habits.
Nuttall, that exceptionally keen-eared bird student, was familiar with
them, but most writers have restricted themselves to the statement that,
when flushed, the bird utters a low _qua_, while some have even said he
was voiceless.
I should not be in the least surprised to learn that this uncanny
inhabitant of the reeds had a call fully as remarkable as the vocal
performance of his large relative, the American Bittern, but thus far in
my slight acquaintance with him he has been heard to utter only four
notes: A soft, low _coo_, slowly repeated five or six times, and which
is probably the love song of the male; an explosive alarm note, _quoh_;
a hissing _hah_, with which the bird threatens a disturber of its nest;
and a low _tut-tut-tut_, apparently a protest against the same kind of
intrusion.
Public-domain text, read in full here on John Shaqi.
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