Bird studies with a camera : $b with introductory chapters on the outfit and methods of the bird photographerChapman, Frank M. (Frank Michler)
Science
Bird studies with a camera : $b with introductory chapters on the outfit and methods of the bird photographer
Chapman, Frank M. (Frank Michler)
Birds -- United States; Photography of birds
The camera may also supply us with graphic records of the few large
colonies of birds yet existing in this country, thereby preserving for
all time definite impressions of conditions which are rapidly becoming
things of the past.
What an invaluable addition to the history of the Great Auk would be a
series of photographs from Funk Island, taken during the period of its
existence there!
Of what surpassing interest would be photographs of the former flights
of Wild Pigeons, which the younger generations of to-day can with
difficulty believe occurred!
_The Charm of Bird Photography._—As a onetime sportsman, who yielded to
none in his enjoyment of the chase, I can affirm that there is a
fascination about the hunting of wild animals with a camera as far ahead
of the pleasure to be derived from their pursuit with shotgun or rifle
as the sport found in shooting Quail is beyond that of breaking clay
“Pigeons”. Continuing the comparison, from a sportsman’s standpoint,
hunting with a camera is the highest development of man’s inherent love
of the chase.
The killing of a bird with a gun seems little short of murder after one
has attempted to capture its image with a lens. The demands on the skill
and patience of the bird photographer are endless, and his pleasure is
intensified in proportion to the nature of the difficulties to be
overcome, and in the event of success it is perpetuated by the
infinitely more satisfactory results obtained. He does not rejoice over
a bag of mutilated flesh and feathers, but in the possession of a
trophy—an eloquent token of his prowess as a hunter, a talisman which
holds the power of revivifying the circumstances attending its
acquisition.
What mental vision of falling birds can be as potent as the actual
picture of living birds in their homes? And how immeasurably one’s
memories are brightened by the fact that this is not a picture of what
has been but of what is!
The camera thus opens the door to a field of sport previously closed to
those who love birds too much to find pleasure in killing them; to whom
Bob-White’s ringing whistle does not give rise to murderous speculations
as to the number in his family, but to an echo of the season’s joy which
his note voices. They therefore have a new incentive to take them out of
doors; for however much we love Nature for Nature’s sake, there are few
of us whose pleasure in an outing is not intensified by securing some
definite, lasting result.
We are not all poets and seers, finding sufficient reward for a hard
day’s tramp in a sunset glow or the song of a bird. Enjoy these things
as we may, who would not like to perpetuate the one or the other in some
tangible form?
Public-domain text, read in full here on John Shaqi.
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