Birds and All Nature, Vol. 5, No. 1, January 1899: Illustrated by Color Photography — John Shaqi
Birds and All Nature, Vol. 5, No. 1, January 1899: Illustrated by Color PhotographyVarious
History
Birds and All Nature, Vol. 5, No. 1, January 1899: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
What farm boy has not heard this birdless voice echoing from the
ghostly shades of the thicket close at hand, or scarcely audible in the
distance? Perhaps you have heard it as you have passed between the wood
and the hill over there, coming clear from the wood but reëchoing from
the hill only the shrill last syllable. Farther away on the distant
hill-top you may have taken this last syllable for the piping of the
salamander. The "whippoorwill" song belongs with the early May moonlit
balmy nights, before the blossoms have lost their best perfume and
before farm work has become a mere drudgery.
It vividly recalls the merry May-basketing frolics, apparently so
necessary to existence on the farm; the fresh green fields and woodland
blossoms; the planting season with all its hidden promises. There is,
in the warble of the bluebird, glad promise of returning spring; and in
the animated whistle of the phoebe reiteration of the earlier promise;
but the whippoorwill tells of that delightful season realized. His is
not a complaint groaned forth, but a glad announcement of joy fully
come.
My early home nestled in one of those gems of woodland that dot the
rolling Iowa prairies. One of my earliest memories of this old home is
the twilight choruses of the whippoorwills in the door-yard. They often
ventured upon the door-step and sang for minutes at a time, apparently
oblivious of the members of the family seated just inside the open
door. On more than one occasion more than one bird occupied the
door-step at the same time, all the while apparently trying to drown
each others' voices in a continuous flow of song. At such times the
delightful mellowness which one hears, with the birds in the distance,
gives place to an almost painful, penetrating shrillness. The more
deliberately uttered song is invariably preceded by a strongly guttural
sound not unlike that produced by striking an inflated rubber bag. The
near-by song, to my ear, sounds like "_qui ko wee_," the first syllable
with a strong "q" sound. I have never heard them sing later than 11
o'clock in the evening nor earlier than 3 in the morning.
It is well-nigh impossible to creep upon a singing bird in the woods,
even if it could be seen in the dim light, but it was not unusual, at
my old home, for the birds to playfully fly round and round anyone who
might be standing out in the yard at twilight. The birds often came so
close that the wings seemed to brush the face. The flight is so utterly
noiseless that the object of their sport is aware of the presence
before he can fully realize what it is.
The whippoorwill inhabits the eastern portion of the United States,
west to eastern North and South Dakota and Nebraska, western Kansas,
Indian Territory and Texas; north to southern Canada, into Nova Scotia
and Manitoba; and south in winter into eastern Mexico and Guatemala. It
breeds in the northern and central parts of its range, and rarely to
Florida.
Public-domain text, read in full here on John Shaqi.
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