Birds and All Nature, Vol. 6, No. 2, September 1899: Illustrated by Color Photography — John Shaqi
Birds and All Nature, Vol. 6, No. 2, September 1899: Illustrated by Color PhotographyVarious
History
Birds and All Nature, Vol. 6, No. 2, September 1899: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
As for the smaller birds, humming birds, kinglets, vireos, and
warblers, the trees of any city yard will be a frequented hostelry
for all during their wonderful journeys, and for many as a summer
home. Those that love the tree tops are seen all the better by human
inhabitants of upper stories, and some of our most charming bird-books
give us the experiences of a busy woman in a New York flat, or of
another in a Chicago back yard, and of more than one invalid, watching
these free, joyous lives with unenvious delight. A good glass,
either opera-glass or field-glass, will open many a pretty bit of
house-weaving, and brood-rearing to an observer shut in by walls and
pavements, and bring many a pleasant acquaintance. At this very moment,
a slender grey catbird glides through the boughs close by my upper
window, with a low _chuck, chuck!_ as I glance at him. He knows I am a
friend, but would fain enjoin silence, for a black cat prowls below.
THE OVENBIRD--GOLDEN-CROWNED THRUSH.
NELLY HART WOODWORTH.
A marvelous choral is the rare ecstasy song of the ovenbird (see Vol.
III, 126-7). It was first recorded, at a comparatively recent date, by
that versatile writer--poet, essayist, naturalist--Mr. John Burroughs.
After speaking of the bird's easy, gliding walk, it being one of the
few birds that are _walkers_, not _hoppers_, he says its other lark
trait, namely, singing in the air, seems not to have been observed
by any naturalist. Yet it is a well-established characteristic, and
may be verified by any person who will spend a half-hour in the woods
where this bird abounds on some June afternoon or evening. I hear
it frequently after sundown when the ecstatic singer can hardly be
distinguished against the sky. Mounting by easy flights to the top of
the tallest tree, he launches into the air, with a sort of suspended,
hovering flight, and bursts into a perfect ecstasy of song--clear,
ringing, copious, rivaling the goldfinch's in vivacity and the linnet's
in melody. Its descent after the song is finished is rapid, and
precisely like that of the titlark when it sweeps down from its course
to alight on the ground.
Public-domain text, read in full here on John Shaqi.
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