Birds and All Nature, Vol. 6, No. 3, October 1899: Illustrated by Color PhotographyVarious
History
Birds and All Nature, Vol. 6, No. 3, October 1899: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
Real mountains many of them are, for from their bases on the plateau,
2,000 to 3,000 feet above the bottom of the inner cañon, they rise
1,500 to 2,500 feet, nearly or quite to the level of the tops of the
cliffs bounding the outer cañon.
Nearly all the length of the cañon is through sandstones, and
limestones, and shales, resplendent with the colors which add so much
to the beauty of Rocky Mountain scenery.
The almost uniform horizontality of stratification of these rocks
demonstrates that the erosion of the cañon was little aided or affected
by any violent upheavals or disturbances of the rocks.
We see clearly about twenty-five miles each way along the cañon, and
somewhat indistinctly probably another twenty-five or thirty miles each
way, and everywhere is the same indescribable splendor of color and of
beauty of form.
It is a new "Holy City," and whether viewed from above, by a ride or
walk along the edge of the cañon, or from the multitudinous turns and
loops of the trail by which one can descend on horseback to the plateau
and ride across to the edge of the inner cañon, whence a path enables
us to safely climb on foot down to the river's edge, everywhere we seem
to be gazing on the ruins of cities, palaces, towers, and temples, such
as might have been builded by the gnomes and genii of the "Arabian
Nights."
Speaking of these weather-sculptured buttes or mountains of bare and
splendidly colored rock which stand within the outer cañon, Dutton
says:
"Some of these are gorgeous pagodas, sculptured in the usual fashion,
and ending in sharp finials at the summit. Others are the cloister
buttes with wing-walls and gables, panels and alcoves. All are quarried
out upon a superlative scale of magnitude, and every one of them is a
marvel. The great number and intricacy of these objects confuse the
senses and do not permit the eye to rest. The mind wanders incessantly
from one to another and cannot master the multitude of things crowded
at once upon its attention. There are scores of these structures, any
one of which, if it could be placed by itself upon some distant plain,
would be regarded as one of the great wonders of the world," and of the
colors he says:
Public-domain text, read in full here on John Shaqi.
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