Birds and All Nature, Vol. 6, No. 3, October 1899: Illustrated by Color PhotographyVarious
History
Birds and All Nature, Vol. 6, No. 3, October 1899: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
In the fall of 1865 the narrator, Mr. George Northrup, at that time a
young Chicago business man, still living in that city, believing that
vast fortunes could be made in the oil regions, caught the fever, and
ascertaining that new fields were being developed in Glasgow, Ky., went
there with $5,000 capital, intending to invest it, fancying that amount
would be sufficient to buy oil land and develop the same. Arriving
at Cave City, on the L. & N. Railway, he was lucky enough to get a
seat on the stage coach that ran to Glasgow. The only public inn was
filled to overflowing, and he was obliged, with others, to sleep on
the office floor of the hotel. Two miles before reaching the town the
odor from the wells in operation affected him to such a degree that he
confesses that no bouquet of flowers ever seemed to him sweeter. After
dining at the hotel he was approached by a score of speculators who
inquired of him whether he desired to invest in oil territory, which
was held at from $25,000 to $200,000 an acre. He said that he would
investigate the next day, became disgusted and immediately disappeared.
The principal objection to the territory was the absolute absence of
transportation. It was then that he suggested the use of a trough for
the transportation of the oil to Glasgow, a distance of twelve miles,
since which time it has been carried by pipe from the oil fields of
Pennsylvania to the Atlantic Ocean.
THE BADGE OF CRUELTY.
CELIA THAXTER.
Is it not possible to persuade the women of Boston--the city we are
proud to consider a centre of refinement, reason and intelligence--to
take a decided stand in the matter of the slaughter of birds, and
protect them by refusing to wear them? We are fostering a grievous
wrong out of pure thoughtlessness. A bit of ribbon, or a bunch of
flowers, or any of the endless variety of materials used by the
milliner would answer every purpose of decoration, without involving
the sacrifice of bright and beautiful lives. But women do not know what
they are doing when they buy and wear birds and feathers, or they never
would do it. How should people brought up in cities know anything of
the sacred lives of birds? What woman, whose head is bristling with
their feathers, knows, for instance, the hymn of the song-sparrows, the
sweet jargon of the blackbirds, the fairy fluting of the oriole, the
lonely, lovely wooing-call of the sandpiper, the cheerful challenge of
the chickadee, the wild, clear whistle of the curfew, the twittering
of the swallows as they go circling in long curves through summer air,
filling earth and heaven with tones of pure gladness, each bird a
marvel of grace, beauty, and joy? God gave us these exquisite creatures
for delight and solace, and we suffer them to be slain by thousands for
our "adornment." When I take note of the head-gear of my sex a kind of
despair overwhelms me. I go mourning at heart in an endless funeral
procession of slaughtered birds, many of whom are like dear friends
to me.
Public-domain text, read in full here on John Shaqi.
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