Birds and All Nature, Vol 7, No. 3, March 1900: Illustrated by Color Photography — John Shaqi
Birds and All Nature, Vol 7, No. 3, March 1900: Illustrated by Color PhotographyVarious
History
Birds and All Nature, Vol 7, No. 3, March 1900: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
Two hundred years ago there were spinning schools in Germany. The
teacher sat with a wand in her hand and tapped the children near her
when they lapsed into idleness, and when she noticed any of those
at some distance from her not at work she rang a little bell for an
attendant to enter and take the offenders out of the room for the
purpose of punishment.
The old Dutch settlers in New York made what was called linsey-woolsey.
This was a sort of cloth made with linen warp filled in with woolen
woof. It was better than all-wool goods because it held its shape
better and was stronger. This material was much worn by the early
inhabitants of America, Abraham Lincoln being one of those who were
well-satisfied with home-made garments of this fabric. Irving, in
his "Knickerbocker's History of New York," claimed that some of the
Dutchmen whose names ended in broeck were so-called because of some
peculiarity pertaining to their breeches. For instance, Tenbroeck took
his name from the rare distinction of his possessing and wearing at the
same time ten pairs of linsey-woolsey breeches.
When people began to show their prosperity by purchasing cloth made
up more beautifully than the product of the homestead loom they had
to endure the remarks of others who affected to despise the man who
was so extravagant as to care to dress in "store cloth." So recent is
the use of this old-fashioned material that we find in one of Louisa
Alcott's essays to girls the statement that "Modesty is as sweet in
linsey-woolsey as in linen."
The greatest country in the world for the production of linen of the
best quality is Ireland. Flax there reaches a height often exceeding
two feet and the soil and climate seem to be the very best for maturing
the fiber and manipulating it when gathered. In traveling through the
country I saw a great deal of what at first glance seemed to be some
sort of grain lying on the ground spoiling in the rain. I soon realized
that this was flax and that it was left out on the ground purposely to
give the pulp and bark a chance to rot away from the fiber.
Dew-retting is letting the flax lie in the heavy dews of Ireland till
the work is done. Soil on which flax is raised is rapidly made poor
unless the richness that is taken from it in the flax is restored to
it in some way. Most of this richness is in the seed and the part of
the stalk that is removed in the retting. Where this gets back to the
soil there is little else to be added. Sometimes the flax is retted
in small pools and the water saved to put upon the ground, though the
flax is more discolored by this process than where the work is done in
running water. Recently steam heat and vapor have been used to soften
the stalks, and then the air pump draws the pulp away from the fiber,
so that what once took several weeks to do is now done in a few hours.
By the old process the fiber was sometimes left stacked dry for years
with constant improvement in quality.
Public-domain text, read in full here on John Shaqi.
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