Birds and All Nature, Vol. 7, No. 4, April 1900Various
History
Birds and All Nature, Vol. 7, No. 4, April 1900
Various
Birds -- Periodicals; Natural history -- Periodicals
As the cage door is often left open he is sometimes "lost" briefly.
At one of these times I decided that he had gone to sleep under the
bed and would be quite safe till morning. Before day-light my mother
called to me from the next room that there was "something in her bed,"
and, sure enough, the truant stood upon her pillow, his wings almost
brushing her face.
The song of an indigo bird, kept in my room, is often followed by from
two to four subdued notes of exceeding richness and sweetness. Aside
from the ordinary song, sometimes reduced to the syllables, "meet,
meet, I'll meet you," words unheard save by aid of a vivid imagination,
the bird has an exquisite warble, loud and exhilarating, as rounded and
velvety as the bluebird's.
When the bird became familiar with the room, its occupants and the
sunshine streaming in through the window, his happiness crystallized
in song, a rarely beautiful strain unheard before. The feathers on his
throat would ruffle as a wave of song ran upward filling the room with
a delicious music.
Unlike the hermit thrush, which has silent, preoccupied hours and is
given to meditation, the indigo has no indolent days and is a happy,
sunny-hearted creature.
His attitudes are like the catbird's--erecting crest, flirting body
and tail, or drooping the latter in the precise manner of the catbird.
Judged by indigo dress-standards, this bird is in an undress uniform,
quite as undress as it is uniform; as somebody says, a result of the
late moult.
For all this his changeable suit is not only becoming, but decidedly
modern--warp of blue and woof of green that change with changing
light from indigo to intense emerald. Then there are browns and
drabs in striking contrasts--colors worn by indigoes while young and
inexperienced, the confused shades of the upper breast replaced by
sparrowy stripes beneath.
My bird is a night singer, pouring out his tuneful plaint as freely in
the "wee, sma' hours," as when the sun is shining; its notes as sweet
as if he knew that if we _must_ sing a night song it should be sweet
that some heart may hear and be the better for our singing. Later in
the day a purple finch in the cedar tangle challenged the vocalist in
notes so entrancing that one's breath was hushed involuntarily.
The same finch sang freely during the entire season in notes replete
with personality, a distinct translation of the heart language. Others
might sing and sing, but this superb voice rose easily above them all,
a warbling, gurgling, effervescing strain, finished and polished in
notes of infinite tenderness. Short conversations preceded and followed
the musical ecstasy, a love song intended for one ear only, while
wings twinkled and fluttered in rhythm with the pulsing heart of the
melodist. No doubt he was telling of a future castle in the air beside
which castles in Spain are of little value.
PLANTING THE TREES.
Public-domain text, read in full here on John Shaqi.
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