Birds and Nature, Vol. 08, No. 4, November 1900: Illustrated by Color Photography — John Shaqi
Birds and Nature, Vol. 08, No. 4, November 1900: Illustrated by Color PhotographyVarious
History
Birds and Nature, Vol. 08, No. 4, November 1900: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
BIRDS AND NATURE.
ILLUSTRATED BY COLOR PHOTOGRAPHY.
VOL. VIII. NOVEMBER, 1900. NO. 4.
CONTENTS.
Page
SONNET--NOVEMBER. 145
SOME FACTS ABOUT THE WESTERN WILLET. 146
CRUEL TREATMENT OF BIRDS DEMANDED BY DAME FASHION. 150
THE FALL MIGRATIONS. 151
THE WAYS OF SOME BANTAMS. 152
THE BUFFLE-HEAD. 155
AN HOUR WITH AN ANT. 156
SONG. 157
THE AMERICAN EARED GREBE. 158
THE GEOGRAPHICAL DISTRIBUTION OF FISHES. 161
THE LOUISIANA TANAGER. 167
CHATTER OF A CHAT. 168
THE LUNA AND POLYPHEMUS MOTHS. 170
CASTLES IN THE AIR. 175
THE PRONG-HORNED ANTELOPE. 179
PLANT PROTECTION. 182
THE BIRTH OF A TREE. 187
THE ALMOND. 188
SONNET--NOVEMBER.
Yet one smile more, departing, distant sun,
One mellow smile through the soft vapory air,
Ere, o'er the frozen earth, the loud winds run,
Or snows are sifted o'er the meadow bare.
One smile on the brown hills and naked trees
And the dark rocks whose summer wreaths are cast,
And the blue Gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.
Yet a few sunny days, in which the bee
Shall murmur by the hedge that skirts the way,
The cricket chirp upon the russet lea,
And man delight to linger in thy ray.
Yet one rich smile, and we will try to bear
The piercing winter frost, and winds, and darkened air.
--William Cullen Bryant.
* * * * *
Oh, Autumn! Why so soon
Depart the hues that make thy forests glad;
Thy gentle wind and thy fair sunny noon,
And leave thee wild and sad!
Ah! 'twere a lot too blessed
Forever in thy colored shades to stray;
Amid the kisses of the soft southwest
To rove and dream for aye.
--William Cullen Bryant.
Copyright, 1900, by A. W. Mumford.
SOME FACTS ABOUT THE WESTERN WILLET.
(_Symphemia semipalmata inornata._)
Public-domain text, read in full here on John Shaqi.
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