Birds and Nature, Vol. 08, No. 4, November 1900: Illustrated by Color PhotographyVarious
History
Birds and Nature, Vol. 08, No. 4, November 1900: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
Why do we say that any cruel treatment of the birds is chargeable to
fashion? It can hardly be necessary to remind ourselves that there is
in almost every boy's nature a touch of the savage instincts which find
expression in the desire to kill something. Traces of this instinct
do not entirely disappear with the development into manhood, but
show themselves there in the love of hunting and fishing. Let these
remnants of savagery be appealed to by the promise of gain and they are
immediately fanned into flame in the natures of those persons who are
naturally more strongly drawn to this primitive occupation of men. In
short, place before the professional hunter an easy means of profiting
by his skill as a hunter, and in far too many instances he will smother
any humane instincts which he may have for the sake of the gain. It is
the demands of fashion for plumes and feathers for hat trimmings which
place before these hunters the temptation to kill. Have we not a right,
therefore, to place the blame at the door of Fashion?
But what are the practices which we call cruel? In the first place it
is cruelty to cause the destruction of life without good and sufficient
reason. Unnecessary sacrifice of life is cruelty. Certainly no one
will say that it is necessary to trim hats with feathers. Fashion
decrees that feathers must be worn, and presto! feathers are worn. In
the second place, it is cruel to kill birds who are feeding young ones
in the nest, leaving them to starvation. Yet this is just what has
happened and does happen every year. Plume hunters are no respecters
of times and seasons. With them there are no closed seasons. The birds
which they are after gather in large rookeries during the nesting
season and are therefore much easier to capture then than at other
times.
Public-domain text, read in full here on John Shaqi.
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