Birds and Nature, Vol 10 No. 2 [September 1901]Various
History
Birds and Nature, Vol 10 No. 2 [September 1901]
Various
Birds -- Periodicals; Natural history -- Periodicals
“The sparrows are all meek and lowly birds.” They are not clothed in a
plumage of gorgeous hues, but are endowed with melodious voices in
harmony with their surroundings. “Theirs are the quaint lullaby songs of
childhood.” Their plain coats are a means of protection, for they
frequent the fields, the hedges and the low shrubs of the woodland
borders. Some of their relatives, the grosbeaks, the goldfinch and the
finches, are more brilliantly colored and are more arboreal in their
habits.
The White-throated Sparrow (Zonotrichia albicollis) is one of the
handsomest of the sparrows. It is one of the exquisite parts of nature.
Migratory in habits, its range covers all of Eastern North America,
nesting from Michigan and Massachusetts northward and wintering from the
latter state southward to Florida.
Its scientific name is descriptive of the marked color characteristics
of its crown and throat. Zonotrichia means hair or crown bands, and
albicollis is from the Latin meaning white-throated. It is sometimes
called Peabody Bird, especially by the New Englanders, with whom Peabody
is an important traditional name, and they hear the birds say in its
song “I—I Pea-body, Pea-body, Pea-body.” This rendering of its plaintive
song is a caricature, yet the name clings to the bird even in other
parts of the country. The reserved manner of its movements would hardly
lead one to expect that a beautiful song could flow from its white
throat. This song is so well defined that the notation may be written on
the musical staff. Mr. Chapman says: “In September, when the hedgerows
and woodland undergrowths begin to rustle with sparrows, juncos and
towhees, I watch eagerly for the arrival of these welcome fall
songsters.” We cannot forbear quoting the words of that great student of
bird life, Audubon, who says of the White-Throat’s habit in autumn, “How
it comes and how it departs are quite unknown to me. I can only say
that, all of a sudden, the edges of the fields bordering on creeks or
swampy places and overgrown with different species of vines, sumac
bushes, briers and the taller kinds of grasses, appear covered with
birds. They form groups, sometimes containing from thirty to fifty
individuals, and live together in harmony. They are constantly moving up
and down among these recesses, with frequent jerkings of the tail, and
uttering a note common to the tribe. From the hedges and thickets they
issue one by one, in quick succession, and ramble to the distance of
eight or ten yards, hopping and scratching, in quest of small seeds, and
preserving the utmost silence. When the least noise is heard or alarm
given, and frequently, as I thought, without any alarm at all, they all
fly back to their covert, pushing directly into the thickest part of it.
A moment elapses, when they become reassured, and ascending to the
highest branches and twigs open a little concert, which, although of
short duration, is extremely sweet. There is much plaintive softness in
Public-domain text, read in full here on John Shaqi.
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