Birds and Nature Vol. 11 No. 4 [April 1902]: Illustrated by Color PhotographyVarious
History
Birds and Nature Vol. 11 No. 4 [April 1902]: Illustrated by Color Photography
Various
Birds -- Periodicals; Natural history -- Periodicals
There is an ancient account of the Libyan mares to whom it was necessary
to discourse sweet music in order to tame them sufficiently to be
milked, and the horses of the Sybarites, who have been taught to dance
to certain strains of music, inopportunely heard the same strains of
music on their way to battle and very much chagrined their masters by
stopping to dance instead of going forward to fight, such was the
influence of the familiar tune. De Vere gives an account of a certain
Lord Holland who was very eccentric, and used during the time of William
III to give his horses weekly concerts in a covered gallery specially
erected for the purpose. He maintained that it cheered their hearts and
improved their temper, and an eye witness says that they seemed to be
greatly delighted with the performance. Not at all a bad suggestion for
owners of those horses who do not “come up to time” at the present day.
A few years ago, according to the “American Naturalist,” experiments
were made in Lincoln Park, Chicago, to determine with scientific
accuracy the effect of violin playing on different animals. It says:
“Music which was slow and sweet, like ‘Home, Sweet Home,’ or ‘Annie
Laurie,’ pleased the panthers, a jaguar and a lioness and her cubs. The
panthers became nervous and twitched their tails when a lively jig, ‘The
Irish Washerwoman,’ was played to them, and relapsed into their former
quiet when the music again became soothing.
“The jaguar was so nervous during the jig music that he jumped from a
shelf to the floor of his cage and back again. When the player ceased
playing and walked away the jaguar reached out his paw to him as far as
he could. His claws were drawn back.
“The lioness and her cubs were interested from the first, though when
the violinist approached the cage the mother gave him a hiss and the
cubs hid behind her. At the playing of a lively jig the cubs stood up on
their hind legs and peeped over at the player. When the musician
retreated from the cage the animals came to the front of it and did not
move back when he gradually drew so near as almost to touch the great
paws that were thrust through the bars. When playing ‘Home, Sweet Home,’
the entire family seemed very attentive, and were motionless except that
the cubs turned their heads from side to side. Then another jig was
played and the cubs danced about.
“The coyotes, in a den, squatted in a semi-circle and sat silently while
the music continued. When it ceased they ran up and pawed at the player
through the bars. He began afresh, and they again formed in a silent
semi-circle. This experiment was tried several times with the same
results.”
Public-domain text, read in full here on John Shaqi.
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