The world the boy lives in is separate and distinct from the world the man lives in. It is a world inhabited only by boys. No events are important or of any moment save those affecting boys. How they ignore the presence of their elders on the street, shouting out their invitations, their appointments, their pass-words from our midst, as from the veriest solitude! They have peculiar calls, whistles, signals, by which they communicate with each other at long distances, like birds or wild creatures. And there is as genuine a wildness about these notes and calls as about those of a fox or a coon. The boy is a savage, a barbarian, in his taste,--devouring roots, leaves, bark, unripe fruit; and in the kind of music or discord he delights in,--of harmony he has no perception. He has his fashions that spread from city to city. In one of our large cities the rage at one time was an old tin can with a string attached, out of which they tortured the most savage and ear-splitting discords. The police were obliged to interfere and suppress the nuisance. On another occasion, at Christmas, they all came forth with tin horns, and nearly drove the town distracted with the hideous uproar. Another savage trait of the boy is his untruthfulness. Corner him, and the chances are ten to one he will lie his way out. Conscience is a plant of slow growth in the boy. If caught in one lie, he invents another. I know a boy who was in the habit of eating apples in school. His teacher finally caught him in the act, and, without removing his eye from him, called him to the middle of the floor. "I saw you this time," said the teacher. "Saw me what?" said the boy innocently. "Bite that apple," replied the teacher. "No, sir," said the rascal. "Open your mouth;" and from its depths the teacher, with his thumb and finger, took out the piece of apple. "Did n't know it was there," said the boy, unabashed. Nearly all the moral sentiment and graces are late in maturing in the boy. He has no proper self-respect till past his majority. Of course there are exceptions, but they are mostly windfalls. The good boys die young. We lament the wickedness and thoughtlessness of the young vagabonds at the same time that we know it is mainly the acridity and bitterness of the unripe fruit that we are lamenting. III A BIRD MEDLEY