Some people call him the mocking wren, but I think he never
deliberately tries to imitate other birds. Why should he? It is true
that his loud-ringing, three-syllabled whistle, _"Tea-ket-tle,
Tea-ket-tle, Tea-ket-tle"_ suggests the crested titmouse's _"peto"_ of
two syllables, but in quality only; and some have thought that his
whistled notes are difficult to distinguish from the one-syllabled,
but oft-repeated, long-drawn _quoit_ of the cardinal. These three
birds are frequently to be heard in the same neighbourhood and you may
easily compare their voices; but if you listen carefully, I think you
will not accuse the wren of trying to mock either of the {39} others.
In addition to his ringing, whistled notes, he can make other sounds
peculiarly his own: trills and quavers, scolding _cacks_, rattling
_kringggs_, something like the tree toad's, besides the joyful,
lyrical melody that has given him his reputation as a musician. Even
these do not complete his repertoire. To deliver his famous song, he
chooses a conspicuous position in the top of some bush or low tree;
then, with head uplifted and tail drooping--a favourite posture of all
these lively singers--he makes us very glad indeed that we heard him.
Happily he sings almost as many months in the year as the most
cheerful bird we have, the song sparrow.
THE MARSH WREN
Hidden among the tall grasses and reeds along the creeks and rivers,
lives the long-billed marsh wren, a nervous, active little creature
that you know at a glance. With tail cocked up and even tilted forward
toward her head in the extreme of wren fashion, or suddenly jerked
downward to help keep her balance, she sways with the grass as it
blows in the wind--a dainty little sprite. With no desire to make your
acquaintance, she flies with a short, jerky motion (because of her
short wings) a few rods away, {40} then drops into the grasses which
engulf her as surely as if she had dropped into the sea. You may
search in vain to find her now. Like the rails, she has her paths and
runways among the tall sedges and cat-tails, where not even a boy in
rubber boots may safely follow.
Public-domain text, read in full here on John Shaqi.
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