The Wild Turkey feeds on many kinds of berries, fruits, and grasses.
Beetles, tadpoles, young frogs, and lizards are sometimes found in its
crop. When the Turkeys reach their destination, they disperse in flocks,
devouring the mast as they proceed.
Pairing time begins in March. The sexes roost apart, but at no great
distance, so that when the female utters a call, every male within
hearing responds, rolling note after note in rapid succession, in a
voice resembling that of the tame Turkey when he hears any unusual
noise. Where the Turkeys are numerous, the woods from one end to the
other, sometimes for many miles, resound with these voices of wooing.
The specimen of the Wild Turkey presented in this number of BIRDS is of
extraordinary size and beauty, and has been much admired. The day is not
far distant when a living specimen of this noble bird will be sought for
in vain in the United States.
THE CERULEAN WARBLER.
This beautiful little sky-blue feathered creature is well named Azure
Warbler, or again White-throated Blue Warbler, and is the most abundant
of the genus here.
It is a bird of the wood, everywhere associated with the beautiful tall
forests of the more northern counties of western New York, sometimes
found in the open woods of pasture-lands, and quite partial to hardwood
trees. In its flitting motion in search of insect-prey, and in the
jerking curves of its more prolonged flight, as also in its structure,
it is a genuine Wood Warbler and keeps for the most part to what Thoreau
calls the "upper story" of its sylvan domain.
All Warblers, it has been said, depend upon their markings rather than
song for their identity, which renders the majority of the tribe of
greater interest to the scientist than to the novice. Until you have
named four or five of the commonest species as landmarks, you will be
considerably confused.
Audubon described the song of the Cerulean Warbler as "extremely sweet
and mellow," whereas it is a modest little strain, says Chapman, or
trill, divided into syllables like _zee, zee, zee, ze-ee-ee-eep_, or
according to another observer, _rheet, rheet, rheet, rheet, ridi, idi,
e-e-e-e-ee_; beginning with several soft warbling notes and ending in a
rather prolonged but quite musical squeak. The latter and more rapid
part of the strain, which is given in the upward slide, approaches an
insect quality of tone which is more or less peculiar to all true
Warblers, a song so common as to be a universal characteristic of our
tall forests.
Public-domain text, read in full here on John Shaqi.
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