Redshank, curlew, and dunlin--cousins of the snipe and woodcock--are
all accomplished performers in the art of wooing on the wing. The male
redshank, uttering flute-like notes, Mr. Farren tells us, soars up to a
moderate height, and remains, for a brief space, "hanging in the wind"
with the tips of his curved wings rapidly vibrating. He then descends,
pipit-like, earthwards, while the song, which has been uttered slowly,
now quickens, reaching its climax as the bird, raising its wings above
its back for an instant, finally alights on the ground. But he has yet
other wiles, which are not used in mid-air. Approaching his mate with
his head erect and body drawn up to its full height, he raises his
wings for an instant high above his head: then allowing them gradually
to droop, he vibrates them, at the same time rapidly moving his legs
like a soldier "marking time."
The curlew seems to prefer the evening for his best efforts. Rising
from the ground with rapid wing-beats, he will "check" suddenly when
near the summit of his ascent; so suddenly as almost to throw himself
backwards. Then, recovering, he will hang poised, kestrel-like, in
mid-air, and pour forth a joyous thrilling, or jodelling, song. Rising
and falling, on quivering wings, or sweeping round in great circles,
and hovering again, he will remain for some considerable time pouring
forth this joyful ripple of song.
The courtship flight of the lapwing is even, if possible, more
interesting. Rising from the ground with slow heavy flaps of his broad
wings--which, it is to be noted, present a remarkable difference
from those of the female, in that the primaries are much longer, so
as to give this portion of the extended wing a conspicuously broader
appearance--as though he had difficulty in getting under way, he
speedily dissipates this impression by a sudden upward rush, an
effortless turn, apparently; and then follows a downward swoop, or
fall, with half-closed wings. To this swoop there succeeds a surprising
change. In an instant the wing-beat is increased to an incredible
speed, causing the body to turn a half, and sometimes even a complete
somersault. But the next instant he is up and away over the ground
with musical wing-beats, tilting and swaying from side to side with
wonderful buoyancy.
[Illustration: Lapwings.]
Public-domain text, read in full here on John Shaqi.
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