Among our native birds, the only other species which habitually, and
especially during the courting season, produce characteristic sounds
during flight, by bringing the wings smartly together over the back,
is the night-jar. But there are certain small passerine birds, known
as mannikins, inhabiting the forests of South America, which have the
shafts of the quill-feathers of the fore-arm enormously thickened. By
means of these transformed and translated "castenets," at will, the
bird can produce a sound which has been likened to the crack of a whip.
So far this discourse has been concerned solely with "courtship"
flights, or flights associated with peculiar sounds, dependent on rapid
movements of the wing in mid-air for their production. And with the
mention of these instances this Chapter might, quite legitimately,
be brought to an end. But it must not. And this, because there are a
number of birds which put their wings, during Courtship season, to very
different purposes. Spectacular flights and evolutions in mid-air do
not appeal to them. They use their wings instead as lures, as a means
of adding intensity to strange poses and pirouettings; whereby they
desire to give expression to the amorous feelings which possess them,
in the hope--if for the moment, we may accord to them human standards
of intention--of arousing kindred emotions in their mates.
Darwin was the first to draw attention to these curious displays.
Which, on the evidence then available, seemed always to be made, and
only to be made, by birds having wings conspicuously coloured. It
seemed as though the possessors of such wings were conscious of their
beauty, and so displayed them that nothing of their glory should be
missed.
The sun-bittern affords a case in point. This bird, a native of
Brazil, is soberly, but very beautifully coloured when at rest; its
plumage presenting an indescribable mixture of black, grey, brown,
bay, and white; blended in the form of spots, bars, and mottlings. But
during times of sexual excitement it will spread out its wings in the
form of a great fan, encircling the long, slender, neck. And in this
position they present a very conspicuous appearance, taking the form
of beautifully graded bands of black, white, and bright grey, forming
patterns which vanish the moment the primaries fall into their place
behind the quills of the fore-arm. But when thus spread the bird seems
to find the greatest delight in displaying their chaste splendour
before his mate. He seems to spread his wings just because he is
conscious of their beauty when thus opened out.
Public-domain text, read in full here on John Shaqi.
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