Birds in Town & VillageHudson, W. H. (William Henry)
History
Birds in Town & Village
Hudson, W. H. (William Henry)
Birds -- England
To return to my experience on the common. About fifty yards from the
spot where I was there was a dense thicket of furze and thorn, with a
huge mound in the middle composed of a tangle of whitethorn and bramble
bushes mixed with ivy and clematis. From this spot, at intervals of half
a minute or so, there issued the call of a duck--the prolonged, hoarse
call of a drake, two or three times repeated, evidently emitted in
distress. I conjectured that it came from one of a small flock of ducks
belonging to a cottage near the edge of the common on that side. The
flock, as I had seen, was accustomed to go some distance from home, and
I supposed that one of them, a drake, had got into that brambly thicket
and could not make his way out. For half an hour I heard the calls
without paying much attention, absorbed in watching the quaint little
songster close to me and his curious gestures when emitting his
sustained reeling sounds. In the end the persistent distressed calling
of the drake lost in a brambly labyrinth got a little on my nerves, and
I felt it as a relief when it finally ceased. Then, after a short
silence, another sound came from the same spot--a blackbird sound, known
to everyone, but curiously interesting when uttered in the way I now
heard it. It was the familiar loud chuckle, not emitted in alarm and
soon ended, but the chuckle uttered occasionally by the bird when he is
not disturbed, or when, after uttering it once for some real cause, he
continues repeating it for no reason at all, producing the idea that he
has just made the discovery that it is quite a musical sound and that he
is repeating it, as if singing, just for pleasure. At such times the
long series of notes do not come forth with a rush; he begins
deliberately with a series of musical chirps uttered in a measured
manner, like those of a wood wren, the prelude to its song, the notes
coming faster and faster and swelling and running into the loud
chuckling performance. This performance, like the lost drake's call, was
repeated in the same deliberate or leisurely manner at intervals again
and again, until my curiosity was aroused and I went to the spot to get
a look at the bird who had turned his alarm sound into a song and
appeared to be very much taken with it. But there was no blackbird at
the spot, and no lost drake, and no bird, except a throstle sitting
motionless on the bush mound. This was the bird I had been listening to,
uttering not his own thrush melody, which he perhaps did not know at
all, but the sounds he had borrowed from two species so wide apart in
their character and language.
Public-domain text, read in full here on John Shaqi.
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