In these late summer days the singer punctuates his song often and
long, for he must recuperate for his autumn journey. More than this,
he must protect his young ones. He therefore loses the shyness of
spring, and follows the juveniles about, feeding them and teaching
them to shift for themselves, and protecting them with word and
sign. His whole care is for his family, and hard is a cruel world
indeed whose human inhabitants can molest him. His scarlet cloth is
forgotten. He will follow his young even into captivity, and there
feed them through bar or window. But not a fascinating prisoner is
the tanager; one grows accustomed to his bright coat, and as it is
seen against the pane in winter-time, contrasting with the whiteness
of the snow, seems to reproach the hand that imprisoned it. When one
stops to think of it, scarcely a bird in captivity, unless it be
the canary to the manner born, gives the satisfaction and amusement
anticipated. It is the going and coming of the wild birds that make
more than half the fun. The sudden surprise of spring; the reluctant
departure of autumn, with the hope of intermediate days--there is
charm in all this keeping of Nature's order.
Well, good by, sweet scarlet tanager. Sing us back your farewell note
of "Wait, wait." We shall see you again when the early cherries are
ripe, if not sooner. The beetles and bumbles and the grasshoppers
will be watching out for you, and the terrible hornet shall double
his armor-plate to suit the strength of your strong beak. It will be
of no avail for the big black beetle to hide beneath the iron kettle
he carries on his back, and the bum of the big, yellow bumblebee will
serve only as its call-note, while the broad sword of the hornet will
have no time to unsheath itself at sight of you. Good by, tanager.
CHAPTER XII
THE MEADOW-LARK
Hark! the lark!
Shakespeare.
Think, every morning when the sun peeps through
The dim, leaf-latticed window of the grove.
How jubilant the happy birds renew
Their old, melodious madrigals of love.
And when you think of this, remember too
'Tis always morning somewhere, and above
The awakening continents from shore to shore,
Somewhere the birds are singing evermore.
Longfellow.
Never did any lark "lean its breast against a thorn" and sing. That
was the poet's sorry fancy. Larks are not in the habit of leaning
their breasts against anything when they sing. They stand tiptoe on
a stout grass stem or a fence-post or the highest bough, or sing as
they fly, or warble a simple ditty while running on the ground.
Public-domain text, read in full here on John Shaqi.
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