On the wing, no doubt, it is mistaken for "the lark," but when singing,
especially at night, in the shrubbery or copse, as often for the
nightingale; yet it is common enough, and if those who care to do so
will, when they hear its exquisite song, stop and look round for the
singer, they will see, sitting on a branch, a bird just like the
skylark, but will notice, if they listen, that its voice is richer and
its notes more varied than the laverock's, and that the bird shifts from
one perch to another while it is singing, sometimes even mounting to the
top of a tree, and thence, still in song, flying up into the air to
circle. If you startle a skylark it will never, you will notice, fly to
woodland for shelter, but only to another part of the meadow or into the
next, and settle there on the ground, so that whenever a bird that you
think is a "lark" flies on being startled into a tree, you may be sure
it is the "soft enamoured woodlark"--next to the nightingale the
sweetest minstrel of the copse.
"The woodlark breathes in softer strain the vow,
And love's sweet burthen floats from bough to bough."
A skylark, as every one knows, sings, as a rule, when in the air, but
it, too, will sing upon the ground; and in its cage, forgetful
apparently of its captivity, pours out its song with the same enchanting
gaiety as when it is free of all the sky.
"What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?"
As seen in Nature, there can be nothing imagined more exultant, more
heartily joyous, than the glad, eager way in which the skylark seems to
spring up from the meadow and commence its artless canticles of praise
as thanks for its happiness and freedom. Yet, perched upon a scrap of
turf, in a cage so low-roofed that it cannot attempt to rise, it sings
the same "strains of unpremeditated art" that so charmed the great poet,
and live for ever in his deathless verse. Even in winter, on a sunny
day, the lark will soar up into the air "like an embodied joy whose
race is just begun," and "shower a rain of melody." For some stay with
us all the year round, though most of their companions go, and in such
vast flocks that fifteen thousand have been caught in a single night out
of a flight passing a single spot. And, poor little birds, wherever they
rest on their journey they find nets spread for them, for every nation
alike is agreed that larks are good to eat; and so they go, to and fro,
literally "larding the earth" with their bodies. Yet in spite of these
periodical massacres, and in spite of perennial persecution for the cage
and the table, their numbers never seem to lessen, and our skies and
meadows are as full of them one year as another. And it is well that it
is so, for what should we miss more in a country walk than "the lark's
blithe carol from the clouds"?
Public-domain text, read in full here on John Shaqi.
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