Birket Foster, R.W.S.: Sixteen examples in colour of the artist's workCundall, H. M. (Herbert Minton)
General
Birket Foster, R.W.S.: Sixteen examples in colour of the artist's work
Cundall, H. M. (Herbert Minton)
Foster, Myles Birket, 1825-1899
With regard to his method of working, Birket Foster's early training
for drawing on wood-blocks considerably influenced his water-colour
work, which was very dissimilar to the "wash" methods of the early
school of water-colour painters. He, indeed, worked with his brush as
dry as it well could be, and probably no artist in using the medium of
water-colours ever used so little water. Of course, all painting may be
said to be drawing with a brush, but Birket Foster's was practically
drawing to a peculiar degree, not washing with a brush. He used a very
fine brush with very little paint in it, and owing to his habit of
frequently putting it between his lips to make the point of it as fine
as possible, it used to be said that the paint came out of the artist's
head.
Birket Foster worked very rapidly in his own way of obtaining the
effects he desired, and his remarkable gift for composition enabled him
to people his scenes with wonderful facility and felicity. He never
engaged a professional model; his children were all sketched from the
rustic boys and girls, whom he found in the course of his wanderings.
In 1860 Birket Foster was unanimously elected an associate of the Old
Water-Colour Society, and became a full member two years afterwards.
He greatly appreciated the honour conferred upon him, and thoroughly
gave his best interests to the Society.
He was a most prolific worker, and beside the large number of
water-colour paintings exhibited at the Old Society, to which he
contributed more than four hundred and fifty, many of his drawings were
bought by the picture-dealers straight from his studio, and in some
cases he received direct commissions for paintings from collectors.
Birket Foster, like many other water-colour artists, turned his
attention to painting in oils, and for the nine years, 1869 to 1877, he
regularly contributed oil paintings, thirteen in all, to the
Exhibitions at the Royal Academy, but after that period he abandoned
this medium, as he found that his little water-colour gems were far
more appreciated by the public. In 1876 Foster was elected a member of
the Royal Academy of Berlin.
Public-domain text, read in full here on John Shaqi.
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