Birket Foster, R.W.S.: Sixteen examples in colour of the artist's workCundall, H. M. (Herbert Minton)
General
Birket Foster, R.W.S.: Sixteen examples in colour of the artist's work
Cundall, H. M. (Herbert Minton)
Foster, Myles Birket, 1825-1899
As may be seen by glancing through the titles of his exhibited
paintings, the neighbourhood around Witley had a great charm for Birket
Foster, and drawings made on Hambledon Common and in the village of
Chiddingfold--with their picturesque cottages roofed with thatch or red
tiles, now fast disappearing, and their leafy lanes with happy children
gathering wild-flowers, or the beautiful view from his own residence
overlooking the Surrey Weald, with Hindhead and Blackdown in the
distance and glimpses of the Brighton Downs beyond--are most
appreciated by the public, and it is by these paintings he is best
known.
Birket Foster, as already stated, made very many tours through
different parts of England and Scotland, and although he was not what
may be termed a seascape artist, he was fond of making drawings of
children playing on the seashore. Later in life he revisited many of
the watering-places which he depicted for _The Illustrated London News_
in his early days, and instead of sketches for wood-blocks, he painted
many charming little scenes.
Another phase of Birket Foster's art was his love for painting fruit
and flowers. He was greatly attracted by William Hunt's work. As may be
expected, the same stippling in paintings by Hunt appears in works of
Foster; but whilst the former nearly always painted his fruit pieces
the same size as in Nature, the latter produced almost miniature
representations of them.
In 1893 Birket Foster was attacked by a serious illness, and yielding
to the pressure of medical advice, he was obliged to abandon much of
his work and reluctantly to give up "The Hill." He removed to
"Braeside," Weybridge, and here he resided quietly, devoting himself to
his painting as much as possible, until his death, which occurred six
years later. He was buried in Witley churchyard; a Celtic cross, with
the simple inscription, "In memory of Birket Foster. Born Feb. 4th,
1825. Died March 27th, 1899," marks the spot where lie the remains of
this great water-colour artist, who painted English landscape with such
a pure feeling and high perception of the beauty of Nature.
Birket Foster was twice married--firstly, in 1850, to his cousin, Ann
Spence, by whom he had five children, three sons and two daughters; and
secondly, in 1864, to Frances Watson, a sister to John Dawson Watson,
the well-known painter and member of the Old Water-Colour Society.
[Illustration: Going Home]
[Illustration: Loch Leven Castle]
[Illustration: Shrine at the Entrance of the Courtyard of the Ducal
Palace, Venice]
[Illustration: Entrance to the Grand Canal, Venice]
[Illustration: Birthplace of Burns, near Ayr]
[Illustration: Sunset with Cattle]
[Illustration: In Full Cry]
[Illustration: Children by the Sea]
[Illustration: By the Thames]
[Illustration: A Surrey Cottage]
[Illustration: The Donkey that would not go]
[Illustration: Passing the Flock]
[Illustration: Near Godalming]
[Illustration: The Blackberry Gatherers]
Public-domain text, read in full here on John Shaqi.
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