Peter was disgusted and shocked at his mother's flippancy. Modern
colleges are atheistic, but they do exalt three gods,--food,
cleanliness, and exercise. Now here was Peter's mother blaspheming one
of his trinity.
"I wish you 'd let me know when you want anything Mother. I'll get it
fresh for you." His words were filial enough, but his tone carried his
irritation.
The old negress turned back to the kitchen.
"Huh, boy! you been fotch up on lef'-overs," she said, and disappeared
through the door.
Peter walked to the gate, let himself out, and started off on his
constitutional. His tiff with his mother renewed all his nervousness and
sense of failure. His litany of mistakes renewed their dolor in his
mind.
An autumn wind was blowing, and long plumes of dust whisked up out of
the curving street and swept over the ill-kept yards, past the cabins,
and toward the sere fields and chromatic woods. The wind beat at the
brown man; the dust whispered against his clothes, made him squint his
eyes to a crack and tickled his nostrils at each breath.
When Peter had gone two or three hundred yards, he became aware that
somebody was walking immediately behind him. Tump Pack popped into his
mind. He looked over his shoulder and then turned. Through the veils of
flying dust he made out some one, and a moment later identified not Tump
Pack, but the gangling form of Jim Pink Staggs, clad in a dark-blue
sack-coat and white flannel trousers with pin stripes. It was the sort
of costume affected by interlocutors of minstrel shows; it had a
minstrel trigness about it.
As a matter of fact, Jim Pink was a sort of semi-professional minstrel.
Ordinarily, he ran a pressing-shop in the Niggertown crescent, but
occasionally he impressed all the dramatic talent of Niggertown and
really did take the road with a minstrel company. These barn-storming
expeditions reached down into Alabama, Mississippi, and Arkansas.
Sometimes they proved a great success, and the darkies rode back several
hundred dollars ahead. Sometimes they tramped back.
Jim Pink hailed Peter with a wave of his hand and a grotesque
displacement of his mouth to one side of his face, which he had found
effective in his minstrel buffoonery.
"Whut you raisin' so much dus' about?" he called out of the corner of
his mouth, while looking at Peter out of one half-closed eye.
Peter shook his head and smiled.
"Thought it mout be Mister Hooker deliverin' dat lan' you bought." Jim
Pink flung his long, flexible face into an imitation of convulsed
laughter, then next moment dropped it into an intense gravity and
declared, "'Dus' thou art, to dus' returnest.'" The quotation seemed
fruitless and silly enough, but Jim Pink tucked his head to one side as
if listening intently to himself, then repeated sepulchrally, "'Dus'
thou art, to dus' returnest.' By the way, Peter," he broke off cheerily,
"you ain't happen to see Tump Pack, is you?"
"No," said Peter, unamused.
Public-domain text, read in full here on John Shaqi.
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