Titian and Raphael, and all the great brotherhood of painters, may kneel
reverently as priests before Nature's face, and paint pictures at sight of
which all men's eyes shall fill with grateful tears; and yet all men shall
go away, and find that the green shade of a tree, the light on a young
girl's face, the sleep of a child, the flowering of a flower, are to their
pictures as living life to beautiful death.
Coming to Art's two highest spheres,--music of sound and music of
speech,--we find that Beethoven and Mozart, and Milton and Shakespeare,
have written. But the symphony is sacred only because, and only so far as,
it renders the joy or the sorrow which we have felt. Surely, the
interpretation is less than the thing interpreted. Face to face with a
joy, a sorrow, would a symphony avail us? And, as for words, who shall
express their feebleness in midst of strength? The fettered helplessness
in spite of which they soar to such heights? The most perfect sentence
ever written bears to the thing it meant to say the relation which the
chemist's formula does to the thing he handles, names, analyzes, can
destroy, perhaps, but cannot make. Every element in the crystal, the
liquid, can be weighed, assigned, and rightly called; nothing in all
science is more wonderful than an exact chemical formula; but, after all
is done, will remain for ever unknown the one subtle secret, the vital
centre of the whole.
But the souls who have a "genius for affection" have no outer dome, no
higher and more vital beauty; no subtle secret of creative motive force to
elude their grasp, mock their endeavor, overshadow their lives. The
subtlest essence of the thing they worship and desire, they have in their
own nature,--they are. No schools, no standards, no laws can help or
hinder them.
To them the world is as if it were not. Work and pain and loss are as if
they were not. These are they to whom it is easy to die any death, if good
can come that way to one they love. These are they who do die daily
unnoted on our right hand and on our left,--fathers and mothers for
children, husbands and wives for each other. These are they, also, who
live,--which is often far harder than it is to die,--long lives, into
whose being never enters one thought of self from the rising to the going
down of the sun. Year builds on year with unvarying steadfastness the
divine temple of their beauty and their sacrifice. They create, like God.
The universe which science sees, studies, and explains, is small, is
petty, beside the one which grows under their spiritual touch; for love
begets love. The waves of eternity itself ripple out in immortal circles
under the ceaseless dropping of their crystal deeds.
Angels desire to look, but cannot, into the mystery of holiness and beauty
which such human lives reveal. Only God can see them clearly. God is their
nearest of kin; for He is love.
Rainy Days.
Public-domain text, read in full here on John Shaqi.
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