The truth is, there is more to do on a rainy day than on any other. In
addition to all the sweet, needful, possible business of living and
working, and learning and helping, which is for all days, there is the
beauty of the rainy day to see, the music of the rainy day to hear. It
drums on the window-panes, chuckles and gurgles at corners of houses,
tinkles in spouts, makes mysterious crescendoes and arpeggio chords
through the air; and all the while drops from the eaves and upper
window-ledges are beating time as rhythmical and measured as that of a
metronome,--time to which our own souls furnish tune, sweet or sorrowful,
inspiriting or saddening, as we will. It is a curious experiment to try
repeating or chanting lines in time and cadence following the patter of
raindrops on windows. It will sometimes be startling in its effect: no
metre, no accent fails of its response in the low, liquid stroke of the
tender drops,--there seems an uncanny _rapport_ between them at once.
And the beauty of the rain, not even love can find words to tell it. If it
left but one trace, the exquisite shifting sheen of pearls on the outer
side of the window glass, that alone one might watch for a day. In all
times it has been thought worthy of kings, of them who are royally rich,
to have garments sown thick in dainty lines and shapes with fine seed
pearls. Who ever saw any such embroidery which could compare with the
beauty of one pane of glass wrought on a single side with the shining
white transparent globulets of rain? They are millions; they crowd; they
blend; they become a silver stream; they glide slowly down, leaving
tiniest silver threads behind; they make of themselves a silver bank of
miniature sea at the bottom of the pane; and, while they do this, other
millions are set pearl-wise at the top, to crowd, blend, glide down in
their turn, and overflow the miniature sea. This is one pane, a few inches
square; and rooms have many windows of many panes. And looking past this
spectacle, out of our windows, how is it that we do not each rainy day
weep with pleasure at sight of the glistening show? Every green thing,
from tiniest grass-blade lying lowest, to highest waving tips of elms,
also set thick with the water-pearls; all tossing and catching, and
tossing and catching, in fairy game with the wind, and with the rain
itself, always losing, always gaining, changing shape and place and number
every moment, till the twinkling and shifting dazzle all eyes.
Then at the end comes the sun, like a magician for whom all had been made
ready; at sunset, perhaps, or at sunrise, if the storm has lasted all
night. In one instant the silver balls begin to disappear. By countless
thousands at a time he tosses them back whence they came; but as they go,
he changes them, under our eyes, into prismatic globes, holding very light
of very light in their tiny circles, shredding and sorting it into blazing
lines of rainbow color.
Public-domain text, read in full here on John Shaqi.
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