Black hound of deathHoward, Robert E. (Robert Ervin)
Science
Black hound of death
Howard, Robert E. (Robert Ervin)
Fantasy fiction; Horror tales; Revenge -- Fiction; Werewolves -- Fiction
It was Ashley I had stumbled over, or rather his body. He lay on his
back, staring sightlessly upward, his head lolling back on the red ruin
of his neck. His throat had been torn out; from chin to collar it was a
great, gaping, ragged wound. His garments were slimy with blood.
Slightly sickened, in spite of my experience with violent deaths, I
glided to the cabin wall and sought without success for a crevice
between the logs. The laughter had ceased in the cabin and that
frightful, inhuman voice was ringing out, making the nerves quiver in
the backs of my hands. With the same difficulty that I had experienced
before, I made out the words.
"----And so they did not kill me, the black monks of Erlik. They
preferred a jest--a delicious jest, from their point of view. Merely
to kill me would be too kind; they thought it more humorous to play
with me awhile, as cats do with a mouse, and then send me back into
the world with a mark I could never erase--the brand of the hound.
That's what they call it. And they did their job well, indeed. None
knows better than they how to _alter_ a man. Black magic? Bah!
Those devils are the greatest scientists in the world. What little the
Western world knows about science has leaked out in little trickles
from those black mountains.
"Those devils could conquer the world, if they wanted to. They know
things that no modern even dares to guess. They know more about
plastic surgery, for instance, than all the scientists of the world
put together. They understand glands, as no European or American
understands them; they know how to retard or exercise them, so as to
produce certain results--God, what results! Look at me! Look, damn you,
and go mad!"
I glided about the cabin until I reached a window, and peered through a
crack in the shutter.
Richard Brent lay on a divan in a room incongruously richly furnished
for that primitive setting. He was bound hand and foot; his face was
livid and scarcely human. In his starting eyes was the look of a man
who has at last come face to face with ultimate horror. Across the room
from him the girl, Gloria, was spread-eagled on a table, held helpless
with cords on her wrists and ankles. She was stark naked, her clothing
lying in scattered confusion on the floor as if they had been brutally
ripped from her. Her head was twisted about as she stared in wide-eyed
horror at the tall figure which dominated the scene.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account