It was early evening when he climbed off the train at Garrison City. He had not visited the place since that cattle-buying trip of twenty-four years ago that brought the son of Black Jack into the affairs of the Cornish family. Garrison City had become a city. There were two solid blocks of brick buildings next to the station, a network of paved streets, and no less than three hotels. It was so new to the eye and so obviously full of the "booster" spirit that he was appalled at the idea of prying through this modern shell and getting back to the heart and the memory of the old days of the town. At the restaurant he forced himself upon a grave-looking gentleman across the table. He found that the solemn-faced man was a travelling drummer. The venerable loafer in front of the blacksmith's shop was feeble-minded, and merely gaped at the name of Black Jack. The proprietor of the hotel shook his head with positive antagonism. "Of course, Garrison City has its past," he admitted, "but we are living it down, and have succeeded pretty well. I think I've heard of a ruffian of the last generation named Jack Hollis; but I don't know anything, and I don't care to know anything, about him. But if you're interested in Garrison City, I'd like to show you a little plot of ground in a place that is going to be the center of the--" Vance Cornish made his mind a blank, let the smooth current of words slip off his memory as from an oiled surface, and gave up Garrison City as a hopeless job. Nevertheless, it was the hotel proprietor who dropped a valuable hint. "If you're interested in the early legends, why don't you go to the State Capitol? They have every magazine and every book that so much as mentions any place in the state." So Vance Cornish went to the capitol and entered the library. It was a sweaty task and a most discouraging one. The name "Black Jack" revealed nothing; and the name of Hollis was an equal blank, so far as the indices were concerned. He was preserved in legend only, and Vance Cornish could make no vital use of legend. He wanted something in cold print. So he began an exhaustive search. He went through volume after volume, but though he came upon mention of Black Jack, he never reached the account of an eyewitness of any of those stirring holdups or train robberies. And then he began on the old files of magazines. And still nothing. He was about to give up with four days of patient labor wasted when he struck gold in the desert--the very mine of information which he wanted. "How I Painted Black Jack," by Lawrence Montgomery. There was the photograph of the painter, to begin with--a man who had discovered the beauty of the deserts of the Southwest. But there was more--much more. It told how, in his wandering across the desert, he had hunted for something more than raw-colored sands and purple mesas blooming in the distance.