"Come now! You don't go to teas, men never call these days, and you
surely have done your column for tomorrow. Here is the car. You can
spare me an hour."
He had always avoided any appearance of rudeness and in his mind at
least he had treated her badly; he followed her without further
hesitation, trusting to his agile mind to keep her off the subject of
Madame Zattiany. This he would do at the cost of rudeness itself, for
he would not permit fiasco at the last moment.
The street was packed with automobiles and taxis, and after a slow
progress toward Fifth Avenue they arrived in time to see the traffic
towers flash on the yellow light and were forced to halt for another
three minutes. He had started an immediate discussion of the play she
had just witnessed, knowing her love of argument, but she suddenly
broke off and laid her hand on his arm.
"Look!" she exclaimed. "The famous Countess Zattiany in that car with
mother. Of course you know her; you were with her at the opera on the
historic night, weren't you? Tell me! What is she like? Did you ever
hear of anything so extraordinary?"
"Never. I really know her very slightly. But as I had met her and she
had kindly asked me to dinner, I was glad to return the compliment when
Mrs. Oglethorpe sent me her box, as she always does once or twice
during the season, you know. But go on. What you said interested me
immensely, although I don't agree with you. I have certain fixed
standards when it comes to the drama."
She picked him up and the argument lasted until they were seated in
Pierre's and had ordered tea.
"I might have taken you home," she said then. "We could have had tea
in my den. No doubt Countess Zattiany was returning with mother, who,
it seems, has always adored her----"
"This is ever so much nicer, for we are far less likely to be
interrupted. I haven't had a real talk with you for months."
And he gave her a look of boyish pleasure, wholly insincere, but so
well done that she flushed slightly.
"Is that my fault? There was a time when you came almost every day.
And then you never came in the same way again." It evidently cost her
something to say this, for her flush deepened, but she managed a glance
of dignified archness.
"Oh, remember I had a villainous attack of the flu, and after that
there were arrears of work to make up. Moreover, the dramatic critic
came down with an even longer attack and they piled his work on me. I
don't know what it is to 'drop in' these days."
"Well--are you always to be driven to death? I read your column
religiously and it runs so smoothly and spontaneously that it doesn't
seem possible it can take you more than an hour to write it."
Public-domain text, read in full here on John Shaqi.
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