"Your wishes! You've made a fool of him. But I am Countess Zattiany's
oldest friend, and if she has been imposed upon, if she has come to any
harm, if you are after her fortune by pretending on the strength of
your singular likeness to be her heir, I shall know how to put a stop
to it in spite of Judge Trent. I suppose you have never heard of me.
My name is Oglethorpe."
"I have heard of Mrs. Oglethorpe--from Countess Zattiany. But she
failed to prepare me for your excessively bad manners."
"Manners be damned. I use what manners I choose and I've never done
anything else. I repeat to you that Countess Zattiany was the most
intimate friend of my youth and for many years after. If she has no
one to protect her interests in this country, I shall protect them
myself. Don't you suppose I am well aware that if you were in her
confidence she would have sent you direct to me? It is the first thing
she would have thought of. If you are not an impostor and an
adventuress present your credentials and I will ask your pardon."
"Judge Trent has my credentials. Now, if you will excuse me----"
"I will not excuse you. I will get to the depth of all this mystery.
I abominate mystery. It is vulgar and stupid. You will tell me who
you are, or I will set the newspapers on your track. They'll soon
ferret it out. I've only to say the word."
"Ah!" The lady seemed to falter for a moment. She looked
speculatively at the indignant old face opposite, then made a vague
little gesture toward her hair, and dropped her eyes. "No," she said
softly. "Don't--please." She raised her eyes once more and looked
straight into Mrs. Oglethorpe's. The two women stood staring at each
other for several seconds. Mrs. Oglethorpe's eyes blinked, her jaw
fell. Then she drew herself up in her most impressive manner.
"Good day," she said. "Your pardon for the intrusion," and although
her voice had trembled, she swept majestically down the hall. The
unwilling hostess touched a bell and a footman opened the door.
VI
Three weeks passed. There were almost twice as many first-nights.
"Mary Ogden," as Clavering called her for want of the truth, was at
each. She never rose in her seat again, and, indeed, seemed to seek
inconspicuousness, but she was always in the second or third row of the
orchestra, and she wore a different gown on each occasion. As she
entered after the curtain rose and stole out before it went down for
the last time, few but those in the adjacent seats and boxes were
edified by any details of those charming creations, although it was
noticeable that the visiting of both sexes was most active in her
neighborhood.
Public-domain text, read in full here on John Shaqi.
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