The town of Amherst is very much like the other towns in that part of
the country. Close by the railway station lies the Railway Tavern,
snug and comfortable, with a "quick draught" of homebrewed ale and
bitter beer, thanks to the powers of suction of porters, guards, and
admiring friends of both, who vent their admiration in "standing
glasses round." Not a little of its custom does the Railway Tavern own
to that small plot of waste ground in front of it, where, even on this
desolate night, you might trace the magic circle left by the "ring" of
Signor Quagliasco's Mammoth Circus on its visit last autumn, and the
holes for the pole and tent-pegs, and the most recent ruts on which
were left by the wheels of the cart of the travelling photographer who
"took" the entire town at Christmas, and, in addition to the
photograph, presented each sitter with a blue card embossed with a
scarlet robin bearing in its mouth the legend, "A happy new year to
you." Then villas; Mr. Cobb's, the corn-chandler and coal-merchant,
with a speckled imitation-granite porch, white and black, as if it had
been daubed with a mixture of its owner's flour and coal-dust; Mr.
Lawson's, the attorney, with a big brass plate on its outer gate, and
two stone pine-apples flanking the entrance; Mr. Charlton Biggs's, the
hop-merchant, in all the gentility of a little chaise-house leaning
against the street door, approached by a little carriage-drive so
narrow that the pony had never yet walked up it properly, but had
always been ignominiously "backed" into its tiny home. Then the
outskirts of the town; the Independent Chapel, very square, very
red-faced, and very compact, not to say sat upon; the Literary
Institute, with more green damp on its stuccoed walls than had been
originally intended by its architect, and with fragmentary bills of
"Mr. Lens's Starry Carpet, or the Heavens at a Glance," fluttering in
the night wind from its portico. Merton house comes next, formerly the
stronghold of the Merton-Mertons, the great Kentish family, now Mr.
Bompas's Classical and Commercial Academy, with a full view of the
white dimity bedsteads through the open window, and with "Old Bompas's
Blaggards" inscribed--by the boys of the National School, with whom
the grand Bompasians waged constant warfare--on the doorpost. The
commencement of the town, a mouldy old bay-windowed shop, known to Mr.
Bompas's boys as "Mother Jennings's," and as the repository of "tuck,"
said tuck consisting of stale buns, hardbake, "all sorts," toffee,
treacle, new rolls, sugar mutton-chops elegantly painted and gilt,
sugar rum and gin bottles, whipcord, pegtops, and marbles; then
Bullenger's, apparently a small ironmonger's, but in reality another
lure for the money of Bompas's boys, for in a parlour behind his back
shop Bullenger vended fireworks and half-crown detonating pistols,
catapults, and cross-bows, and all sorts of such-like instruments dear
to predatory boys.
Public-domain text, read in full here on John Shaqi.
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