Black spirits & white : $b a book of ghost storiesCram, Ralph Adams
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Black spirits & white : $b a book of ghost stories
Cram, Ralph Adams
Ghost stories, American
"That is just exactly what we shall do," I said, pulling out my watch,
"unless we start for the station right now."
But Tom drew an acanthus leaf across his face and showed no signs of
moving; so I filled my pipe again, and we missed the train.
As the sun dropped lower towards the sea, changing its silver line to
gold, we pulled ourselves together, and for an hour or more sketched
vigorously; but the mood was not on us. It was "too jolly fine to waste
time working," as Tom said; so we started off to explore the single
street of the squalid town of Pesto that was lost within the walls of
dead Poseidonia. It was not a pretty village,--if you can call a
rut-riven lane and a dozen houses a village,--nor were the inhabitants
thereof reassuring in appearance. There was no sign of a
church,--nothing but dirty huts, and in the midst, one of two stories,
rejoicing in the name of _Albergo del Sole_, the first story of which
was a black and cavernous smithy, where certain swarthy knaves, looking
like banditti out of a job, sat smoking sulkily.
"We might stay here all night," said Tom, grinning askance at this
choice company; but his suggestion was not received with enthusiasm.
Down where the lane from the station joined the main road stood the only
sign of modern civilization,--a great square structure, half villa, half
fortress, with round turrets on its four corners, and a ten-foot wall
surrounding it. There were no windows in its first story, so far as we
could see, and it had evidently been at one time the fortified villa of
some Campanian noble. Now, however, whether because brigandage had been
stamped out, or because the villa was empty and deserted, it was no
longer formidable; the gates of the great wall hung sagging on their
hinges, brambles growing all over them, and many of the windows in the
upper story were broken and black. It was a strange place, weird and
mysterious, and we looked at it curiously. "There is a story about that
place," said Tom, with conviction.
It was growing late: the sun was near the edge of the sea as we walked
down the ivy-grown walls of the vanished city for the last time, and as
we turned back, a red flush poured from the west, and painted the Doric
temples in pallid rose against the evanescent purple of the Apennines.
Already a thin mist was rising from the meadows, and the temples hung
pink in the misty grayness.
It was a sorrow to leave the beautiful things, but we could run no risk
of missing this last train, so we walked slowly back towards the
temples.
"What is that Johnny waving his arm at us for?" asked Tom, suddenly.
"How should I know? We are not on his land, and the walls don't matter."
We pulled out our watches simultaneously.
"What time are you?" I said.
"Six minutes before six."
"And I am seven minutes. It can't take us all that time to walk to the
station."
"Are you sure the train goes at 6.11?"
"Dead sure," I answered; and showed him the _Indicatore_.
Public-domain text, read in full here on John Shaqi.
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