American fiction -- 20th century; Bohemianism -- Fiction
Jarvin threw another rock, with haste, and Carl gave him another
epigram. Kone, always a restive audience, interposed.
“The anarchist, Pearlman, has just come to town,” he said. “Perhaps all
of you know that he served twenty years in prison for attempting to
kill a millionaire. A cruel penance!”
“I become rather tired of these anarchists who are forever trying
and plotting to blow up the city-hall,” said Edith. “They’re neither
artists nor dull, useful citizens and they serve no purpose that I can
see. If they imagine that they can change the present system of things
by shrieking and murdering people they ought to be sent to a school for
the feeble-minded.”
“I’m not so sure that I’d want to see things radically changed,”
said Jarvin. “Of course I know that there’s a great deal of graft
and injustice everywhere but I’m not sure that I’d care to live in a
Utopia--wickedness and cruelty are far more interesting.”
“The trouble with these anarchists and socialists is that they miss
all the beauty in life,” said Martha. “If you show them a painting or
a poem they think that you’re trying to waste their time, unless it
contains a social message.”
“I think that it’s cruel and useless to try to take another man’s
life,” said Helen, earnestly. “I hate this fellow, Pearlman!”
Kone listened to this stagnant symposium of viewpoints, with a patient
sneer.
“In Russia we are more accustomed to murder,” he said. “We have not
attained the--what shall I say?--the genial and practical compromises
of your American democracy. In our country, alas, oppression takes
off its mask and swings a red sword! If you will realize that death
does not hold for us the mysterious terror that it holds for you
it may help you to understand Pearlman. He came to this country--a
young Russian--sentimental, idealistic, crowded with naive longings
for martyrdom. He wanted to die for the people--that grand, massive,
mysterious, and yet near and real people! When he tried to kill a
millionaire, who was stubbornly refusing to arbitrate with his striking
men, Pearlman was choked with a poem of liberation that could not be
denied. Then the icy reality of his next twenty years--condemned by
both society and the strikers whom he had tried to help, surrounded by
the rigid leer of iron bars; and squeezed into a niche of futility....
This crucified Russian does not need your sarcasm, my friends.”
The conversation staggered and scampered for another hour, with
everyone save Carl animatedly endeavoring to conceal the fact that he
was in no way interested in anyone’s opinions except his own, and at
last the party packed away its comedies, irritations, and convictions,
and arose from the chairs. There were farewells, with just the right
compound of gaiety and caution, and the gathering separated.
Public-domain text, read in full here on John Shaqi.
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