Perhaps because he had lived under the shadow of the prisons all his
life, the idea of visiting them (as strangers and tourists from the
cities often did) never occurred to him. The great granite building
standing on the top of the hill above the West Dart, ugly, ominous, a
blot on nature, man’s menace to mankind, had never interested him or
caused him to think for a moment of the unfortunate beings who were
incarcerated there. It was just a landmark, almost part of the life of
the moorlands. He knew that originally, in the days long past, French
prisoners of war had been kept there, the men against whom his ancestors
had fought. It was some time after the war was over and peace declared
that it had been rebuilt and turned into a penal establishment.
Despard wanted to go over it for reasons Rupert could not understand;
but he agreed to take him with just the same tolerance with which
Despard himself might have shown the Tower of London or Madame Tussaud’s
to his sister Marjorie.
As a matter of fact, now that the order had come and Despard was anxious
to make use of it at once, Rupert felt grateful. It served as an excuse
to spend the day away from the farm—and the Crichton family. They made
him feel, if not exactly guilty, at least ashamed of himself. He had
passed a sleepless night, and during the long, silent hours he had
examined his conscience and not found it as clean as it had been the
last time he slept in that little room overlooking the valley of the
Dart.
Life in London was complex: by his own actions he had made it more
complicated, and by his ignorance of men and women and the ways of the
world. It seemed as if he had never had time in the city to examine
himself or to consider his actions, scarcely time to think.
The only rest for the worker in London is excitement. Down here on the
moorlands it was good to be alone—if one had eyes to see, ears to hear,
and a soul to understand nature.
In London loneliness was a terrible thing: loneliness of streets that
had no end, of walls that could not be scaled, of windows through which
one might gaze and find no perspective.
A lonely man in London was very like a convict in Dartmoor prison. For
so many hours of the day he was let out to work; for the remainder he
could eat or sleep or gaze at the great walls of his prison and listen
to the footsteps of those who passed along the apparently unending
corridors—the streets of his city.
Rupert had at first found relaxation in seeing London from the top of a
penny omnibus, in attending football matches, and occasionally visiting
the pits of theatres. And then, as he made friends music halls and card
parties became the attraction, with occasionally a race meeting near
London, followed, perhaps, by a "burst" at a "night club."
Public-domain text, read in full here on John Shaqi.
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