New beauties demand us. What endless undulations in the various
declivities and ascents: here a slant, there a zig-zag! With what
majestic disdain yon roof rises up to the left!--Doubtless, a palace
of Genii or Gin, (which last is the proper Arabic word for those
builders of halls out of nothing, employed by Aladdin.) Seeing only
the roof of that palace boldly breaking the skyline--how serene your
contemplations! Perhaps a star twinkles over it, and you muse on soft
eyes far away; while below, at the threshold--No, phantoms, we see you
not from our attic! Note, yonder, that precipitous fall--how ragged and
jagged the roof-scene descends in a gorge. He who would travel on foot
through the pass of that defile, of which we see but the picturesque
summits, stops his nose, averts his eyes, guards his pockets, and
hurries along through the squalor of the grim London lazzaroni. But
seen _above_, what a noble break in the skyline! It would be sacrilege
to exchange that fine gorge for a dead flat of dull roof-tops. Look
here--how delightful!--that desolate house with no roof at all--gutted
and skinned by the last London fire! You can see the poor green and
white paper still clinging to the walls, and the chasm that once was
a cupboard, and the shadows gathering black on the aperture that once
was a hearth! Seen below, how quickly you would cross over the way!
That great crack forbodes an avalanche; you would hold your breath, not
to bring it down on your head. But seen _above_, what a compassionate
inquisitive charm in the skeleton ruin! How your fancy runs
riot--repeopling the chambers, hearing the last cheerful good-night
of that destined Pompeii--creeping on tiptoe with the mother, when
she gives her farewell look to the baby. Now all is midnight and
silence; then the red, crawling serpent comes out. Lo! his breath;
hark! his hiss. Now, spire after spire he winds and coils; now he
soars up erect--crest superb, and forked tongue--the beautiful horror!
Then the start from the sleep, and the doubtful awaking, and the run
here and there, and the mother's rush to the cradle; the cry from the
window, and the knock at the door, and the spring of those on high
towards the stair that leads to safety below, and the smoke rushing
up like the surge of a hell! And they run back stifled and blinded,
and the floor heaves beneath them like a bark on the sea. Hark! the
grating wheels thundering low; near and near comes the engine. Fix the
ladders!--there! there! at the window, where the mother stands with
the babe! Splash and hiss comes the water; pales, then flares out, the
fire: foe defies foe; element, element. How sublime is the war! But
the ladder, the ladder!--there at the window! All else are saved: the
clerk and his books; the lawyer, with that tin box of title-deeds; the
landlord, with his policy of insurance; the miser, with his bank-notes
and gold: all are saved--all, but the babe and the mother. What a crowd
Public-domain text, read in full here on John Shaqi.
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