Blackwood's Edinburgh Magazine, Vol. 60, No. 373, November 1846Various
History
Blackwood's Edinburgh Magazine, Vol. 60, No. 373, November 1846
Various
England -- Periodicals; Scotland -- Periodicals
to leave them to the consequences of their own actions.
If ever the characters of two important actors on the theatre of human
affairs stood forth in striking and emphatic contrast to each other,
they were those of Louis XIV. and William III. They were, in truth, the
representatives of the principles for which they respectively so long
contended; their characters embodied the doctrines, and were
distinguished by the features, of the causes for which they fought
through life. As much as the character--stately, magnanimous, and
ambitious, but bigoted and unscrupulous--of Louis XIV. personified the
Romish, did the firm and simple, but persevering and unconquerable mind
of William, embody the principles of the Protestant faith. The positions
they respectively held through life, the stations they occupied, the
resources, moral and political, which they wielded, were not less
characteristic of the causes of which they were severally the heads.
Louis led on the feudal resources of the French monarchy. Inured to
rigid discipline, directed by consummate talent, supported by immense
resources, his armies, uniting the courage of feudal to the organisation
of civilised times, like those of Cæsar, had at first only to appear to
conquer. From his gorgeous palaces at Paris, he seemed able, like the
Church of Rome from the halls of the Quirinal, to give law to the whole
Christian world. William began the contest under very different
circumstances. Sunk in obscure marshes, cooped up in a narrow territory,
driven into a corner of Europe, the forces at his command appeared as
nothing before the stupendous array of his adversary. He was the emblem
of the Protestant faith, arising from small beginnings, springing from
the energy of the middle classes, but destined to grow with ceaseless
vigour, until it reached the gigantic strength of its awful antagonist.
Public-domain text, read in full here on John Shaqi.
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