"The first volume contains the legends of the Scripture personages, and the primitive fathers. The second volume contains those sainted personages who lived, or are supposed to have lived, in the first ages of Christianity, and whose real history, founded on fact or tradition, has been so disguised by poetical embroidery, that they have in some sort the air of ideal beings." Possibly this poetical disguise is favourable upon the whole to art, but it renders a key necessary, and that Mrs Jameson has supplied--not pretending, however, to more than a selection of the most interesting; and, what is extremely valuable, there are marginal references to pictures, and in what places they are to be met with, and by whom painted, of the subjects given in the text, and of the view the artists had in so painting them. The emblems are amply noted with their meanings; and even the significance of colours, which has been so commonly overlooked, and is yet so important for the comprehension of the full subject of a picture, is clearly laid down. It is well said: "All the productions of art, from the time it has been directed and developed by the Christian influences, may be regarded under three different aspects:--1st, The purely religious aspect, which belongs to one mode of faith; 2d, The poetical aspect, which belongs to all; 3d, The artistic, which is the individual point of view, and has reference only to the action of the intellect on the means and material employed. There is a pleasure, an intense pleasure, merely in the consideration of art, as art; in the faculties of comparison and nice discrimination brought to bear on objects of beauty; in the exercise of a cultivated and refined taste on the productions of mind in any form whatever. But a threefold, or rather a thousandfold, pleasure is theirs, who to a sense of the poetical unite a sympathy with the spiritual in art, and who combine with a delicacy of perception and technical knowledge, more elevated sources of pleasure, more variety of association, habits of more excursive thought. Let none imagine, however, that in placing before the uninitiated these unpretending volumes, I assume any such superiority as is here implied. Like a child that has sprang on a little way before its playmates, and caught a glimpse through an opening portal of some varied Eden within, all gay with flowers, and musical with birds, and haunted by divine shapes which beckon forward, and, after one rapturous survey, runs back and catches its companions by the hand, and hurries them forwards to share the new-found pleasure, the yet unexplored region of delight: even so it is with me: I am on the outside, not the inside, of the door I open." This is a happy introduction to that which immediately follows of angels and archangels.