Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849Various
General
Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849
Various
England -- Periodicals; Scotland -- Periodicals
There is a great rage at present for the comic; and, to do justice
to our own times, we think it may be said that wit was never more
abundant--and certainly the pencil was never used with more genuine
humour. But we cannot sympathise with, or much admire, that class of
writers who seem to make the comic their exclusive study, who peer into
everything merely to find matter of jest in it. Everything is no more
comic than everything is solemn, in this mingled world of ours. These
men, reversing the puritanical extravagance, would _improve_ every
incident into the occasion of a laugh. At length one extreme becomes
as tedious as the other. We have, if we may trust to advertisements,
for we never saw the production itself, a _Comic History of
England!_ and, amongst other editions of the learned commentator,
_A Comic Blackstone!_ We shall be threatened some day with a _Comic
Encyclopædia_; or we shall have these comic gentry following the track
round the whole world which Mrs Sommerville has lately taken, in her
charming book on Physical Geography. They will go hopping and grinning
after her, peeping down volcanoes, and punning upon coral reefs, and
finding laughter in all things in this circumnavigable globe. Well, let
them go grinning from pole to pole, and all along the tropics. We can
wish them no worse punishment.
This exclusive cultivation of the comic must sadly depress the organ of
veneration, and not at all foster any refined feelings of humanity. To
him who is habitually in the mocking vein, it matters little what the
subject, or who the sufferer, so that he has his jest. It is marvellous
the utter recklessness to human feeling these light laughers attain to.
Their seemingly sportive weapon, the "satiric thong" they so gaily use,
is in harder hands than could be found anywhere else out of Smithfield.
Nor is it quite idle to notice in what a direct barefaced manner these
jesters appeal to the coarse untutored malice of our nature. If we
were to analyse the jest, we should sometimes find that we had been
laughing just as wisely as the little untaught urchin, who cannot hold
his sides for "fun," if some infirm old woman, slipping upon the slide
he has made, falls down upon the pavement. The jest only lasts while
reflection is laid asleep.
In this, as we have already intimated, lies the difference between
the crowd of jesters and Charles Lamb. We quit their uproarious
laughter for his more quiet and pensive humour with somewhat the same
feeling that we leave the noisy, though amusing, highway, for the cool
landscape and the soft greensward. We reflect as we smile; the malice
of our nature is rather laid to rest than called forth; a kindly and
forgiving temper is excited. We rise from his works, if not with any
general truth more vividly impressed, yet prepared, by gentle and
almost imperceptible touches, to be more social in our companionships,
and warmer in our friendships.
Public-domain text, read in full here on John Shaqi.
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