Blackwood's Edinburgh Magazine, Vol. 66, No 409, November 1849Various
History
Blackwood's Edinburgh Magazine, Vol. 66, No 409, November 1849
Various
England -- Periodicals; Scotland -- Periodicals
straight-laced notions about the duties of sailor boys, which he tries
hard to inculcate upon Redburn. Upon the whole, however, Red Max, as he
is sometimes called--his shirt, cheeks, hair, and whiskers being all
of that colour--is tolerably kind to the youngster, in whose welfare
he occasionally shows some little interest. Jack Blunt, to whose
description the author devotes the greater part of a chapter, is not
quite so happy a hit--rather overdone--overloaded with peculiarities.
Although quite a young fellow, his hair is turning gray, and, to
check this premature sign of age, he thrice in the day anoints his
bushy locks with _Trafalgar Oil_ and _Copenhagen Elixir_, invaluable
preparations retailed to him by a knavish Yankee apothecary. He is also
greatly addicted to drugging himself: takes three pills every morning
with his coffee, and every now and then pours down "a flowing bumper of
_horse salts_." Then he has a turn for romance, and sings sentimental
songs, which must have had an odd enough sound from the lips of one
whose general appearance is that of "a fat porpoise standing on end;"
and he believes in witchcraft, and studies a dream-book, and mutters
Irish invocations for a breeze when the ship is becalmed, &c., &c.
Rather much of all this, Mr Melville, and not equal, by a long chalk,
to what you once before did in the same line. As we read, we cannot
help a comparison with some former pencillings of yours, which,
although earlier made, referred to a later voyage. Involuntarily we
are carried back to the rat-and-cockroach-haunted hull of the crazy
little Jule, and to the strange collection of originals that therein
did dwell. We think of bold Jermin and timid Captain Guy, and, above
all, of that glorious fellow Doctor Long-Ghost. We remember the easy
natural tone, and well-sustained interest of the book in which they
figured; and, desirous though we are to praise, we are compelled to
admit that, in _Redburn_, Mr Melville comes not up to the mark he
himself has made. It is evident that, on his debut, he threw off the
rich cream of his experiences, and he must not marvel if readers have
thereby been rendered dainty, and grumble a little when served with the
skim-milk. _Redburn_ is a clever book, as books now go, and we are far
from visiting it with wholesale condemnation; but it certainly lacks
the spontaneous flow and racy originality of the author's South Sea
narration.
Public-domain text, read in full here on John Shaqi.
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